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Master Builders and their Craft 建筑大师和他们的手艺
Pub Date : 2019-12-12 DOI: 10.1093/oso/9780190272739.003.0017
R. Ousterhout
The architectural profession and architectural practices changed dramatically during the Transitional Period. Before that time, architectural creation was theory driven, following the Roman model elaborated by Vitruvius in the first century BCE. By the Middle Byzantine period, architecture had become in effect an illiterate profession, conservatively guided by established workshop practices. When innovation appeared, it was usually on a small scale, affecting the details but not the overall design. Even the language changed: the terms mechanikos (engineer) and architekton (architect) are replaced by oikodomos (builder).
在过渡时期,建筑专业和建筑实践发生了巨大变化。在此之前,建筑创作是理论驱动的,遵循公元前一世纪维特鲁威(Vitruvius)所阐述的罗马模式。到了拜占庭中期,建筑实际上已经成为一种文盲职业,保守地遵循既定的车间实践。当创新出现时,它通常是小规模的,影响细节而不是整体设计。甚至连语言也发生了变化:mechanikos(工程师)和architekton(建筑师)被oikodomos(建造者)所取代。
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引用次数: 0
Secular Architecture and the Fate of the City 世俗建筑与城市的命运
Pub Date : 2019-12-12 DOI: 10.1093/oso/9780190272739.003.0015
R. Ousterhout
With the disruptions of the Transitional Period, many Byzantine cities were reduced to villages or simply abandoned. The evidence from Ephesus, Thessalonike, and elsewhere indicates loss of the urban infrastructure, formal spaces converted to utilitarian or industrial purposes, and an emphasis on security. Constantinople continued as a major center, thanks to a radical restructuring and consolidation begun in the eighth century. The transformation of the city may be viewed through the later histories of its major monuments and spaces.
随着过渡时期的混乱,许多拜占庭城市沦为村庄或干脆被遗弃。来自以弗所、帖撒罗尼迦和其他地方的证据表明,城市基础设施的丧失,正式空间转变为实用或工业用途,以及对安全的重视。君士坦丁堡继续作为一个主要的中心,这要归功于8世纪开始的一次彻底的重组和巩固。这个城市的转变可以通过其主要纪念碑和空间的后期历史来观察。
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引用次数: 0
Regional Developments, East and West 东、西部地区发展
Pub Date : 2019-12-12 DOI: 10.1093/oso/9780190272739.003.0007
R. Ousterhout
Despite the continuation of pan-Mediterranean commerce through the fifth century and contacts brought about by imperial patronage and pilgrimage, distinctive styles quickly emerged in the different regions of the empire. This chapter contrasts architectural and urban developments at the heart of the Byzantine Empire with those in Italy (Rome, Milan, and Ravenna) and in the eastern provinces: Syria, Jordan, Egypt, and Asia Minor.
尽管泛地中海商业在公元5世纪仍在继续,帝国赞助和朝圣带来了联系,但在帝国的不同地区迅速出现了独特的风格。本章对比了拜占庭帝国中心与意大利(罗马、米兰和拉文纳)以及东部省份(叙利亚、约旦、埃及和小亚细亚)的建筑和城市发展。
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引用次数: 0
Ritual Settings I 仪式设置一
Pub Date : 2019-12-12 DOI: 10.1093/oso/9780190272739.003.0004
R. Ousterhout
How did the church building become sacred space? Early Christians understood two models of sacred presence. In the first, sanctity was invoked by the congregation coming together in common prayer, an experience that was formalized into the liturgy. In the second, sanctity was represented by the presence of relics or the tombs of martyrs and saints. In Rome, the early churches inside the walls of the city were primarily liturgical; those outside the walls were commemorative, set in relationship to the tombs of martyrs and the surrounding catacombs and cemeteries. Subsequent centuries witnessed a collapsing of the two categories. At the same time, the building vocabulary expanded, with baptisteries serving as symbolic settings for the initiation rite and mausolea offering special settings for privileged burials. By the fifth century, monasticism became a regular part of the Christian landscape.
教堂建筑是如何成为神圣空间的?早期基督徒理解两种神圣存在的模式。首先,神圣性是由聚集在一起共同祈祷的会众唤起的,这种经历被正式纳入礼拜仪式。在第二种情况下,圣物或烈士和圣徒的坟墓代表着神圣。在罗马,城墙内的早期教堂主要用于礼拜仪式;城墙外的那些是纪念性的,与烈士的坟墓和周围的地下墓穴和墓地有关。随后的几个世纪见证了这两个类别的崩溃。与此同时,建筑的词汇量也得到了扩展,洗礼池作为启蒙仪式的象征性场所,陵墓为特权葬礼提供了特殊的场所。到了五世纪,修道成为基督教的常规组成部分。
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引用次数: 0
Constantinople as an Architectural Center 君士坦丁堡作为建筑中心
Pub Date : 2019-12-12 DOI: 10.1093/oso/9780190272739.003.0016
R. Ousterhout
As Constantinople emerged from the Transitional Period, it continued to be a major center for architectural developments, although it stood as the capital of a changed empire. From a purely practical perspective, it was perhaps the only urban center with the scale, income, and patronage to maintain architectural workshops as a fixed part of the workforce. Constantinople also benefitted from architectural developments in its hinterland, notably the monastic centers in Bithynia. As the major entrepôt of the era, Constantinople and its architecture must be understood from an international perspective of import and export, its workshops adopting, adapting, developing, and disseminating architectural forms from across the empire.
随着君士坦丁堡从过渡时期崛起,它继续成为建筑发展的主要中心,尽管它是一个改变了的帝国的首都。从纯粹实用的角度来看,它可能是唯一一个拥有规模、收入和赞助的城市中心,以维持建筑工作室作为固定劳动力的一部分。君士坦丁堡也受益于其腹地的建筑发展,特别是比提尼亚的修道院中心。作为这个时代的主要entrepôt,君士坦丁堡和它的建筑必须从进出口的国际视角来理解,它的工作室采用、适应、发展和传播来自整个帝国的建筑形式。
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引用次数: 0
Secular Architecture 世俗建筑
Pub Date : 2019-12-12 DOI: 10.1093/oso/9780190272739.003.0008
R. Ousterhout
The two centuries following Constantine’s foundation saw the expansion of Constantinople, with palaces, fora, harbors, aqueducts, cisterns, and an impressive system of fortifications. Justinian’s new foundation of Caričin Grad (Iustiniana Prima) gives some sense of the continuity of Late Antique urban planning principles; Resafa (Sergiopolis) was provided with a new set of fortifications and ceremonial spaces; Ephesus demonstrates the urban continuity of long-established cities. Housing types and fortifications follow long-established practices.
君士坦丁建立之后的两个世纪见证了君士坦丁堡的扩张,有宫殿、广场、港口、渡槽、蓄水池和令人印象深刻的防御工事系统。查士丁尼在Grad的cari (ustiniana Prima)的新基础给了一些古代晚期城市规划原则的连续性;Resafa (Sergiopolis)被提供了一套新的防御工事和仪式空间;以弗所展示了历史悠久的城市的连续性。房屋类型和防御工事遵循长期建立的惯例。
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引用次数: 0
Palaiologan Constantinople and a New Architectural Idiom 君士坦丁堡和一种新的建筑风格
Pub Date : 2019-12-12 DOI: 10.1093/oso/9780190272739.003.0025
R. Ousterhout
Following the reconquest of Constantinople in 1261, the city experienced a brief cultural revival, marked by significant works of restoration and new construction to reconnect the city to its past glory. Older monastic establishments were expanded, often with large chapels for the privileged burials of the aristocracy. The new architectural style of the period is best represented by the Church of Christ in the Chora Monastery, the best preserved project of the period, characterized by small-scale relationships in its design, picturesque asymmetries, and the lack of a clear relationship between the exterior forms and the interior spaces.
在1261年君士坦丁堡被重新征服之后,这座城市经历了短暂的文化复兴,以重要的修复工程和新建筑为标志,重新将这座城市与过去的辉煌联系起来。古老的修道院设施得到了扩展,通常为贵族的特权葬礼提供了大教堂。这一时期的新建筑风格最好的代表是乔拉修道院的基督教堂,这是这一时期保存最完好的项目,其特点是设计中的小规模关系,风景如画的不对称,以及外部形式和内部空间之间缺乏明确的关系。
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引用次数: 0
Rome, the Domus Ecclesiae, and the Church Basilica 罗马教堂和教堂大殿
Pub Date : 2019-12-12 DOI: 10.1093/oso/9780190272739.003.0002
R. Ousterhout
The church basilica adopted in the period of Constantine (after 312 CE) followed the model of Roman civic basilicas and audience halls—that is, it represented a building type without specifically religious associations. Moreover, the basilica form could accommodate large crowds internally and could be easily distinguished externally from pagan temples; their construction literally put Christianity on the urban landscape. Many replaced “house churches” of the pre-Constantinian era or were situated near the graves of martyrs.
君士坦丁时期(公元312年之后)采用的教堂长方形建筑遵循了罗马市民长方形建筑和听众大厅的模式——也就是说,它代表了一种没有特定宗教联系的建筑类型。此外,长方形教堂的形式可以容纳大量的内部人群,并且可以很容易地将外部与异教寺庙区分开来;它们的建造将基督教带入了城市景观。许多教堂取代了前君士坦丁时代的“家庭教堂”,或者位于殉道者墓地附近。
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引用次数: 0
Development of Regional Styles III 区域风格的发展
Pub Date : 2019-12-12 DOI: 10.1093/oso/9780190272739.003.0020
R. Ousterhout
After a period of minimal activity, both Armenia and Georgia experienced a flourishing of building in the tenth and early eleventh centuries, with finely carved ashlar construction and sculptural ornamentation, distinct from their contemporary Byzantine counterparts. Some avenues of investigation are suggested for understanding the relationship between Byzantine and Caucasian architecture in this period.
经过一段时期的小规模活动,亚美尼亚和格鲁吉亚在10世纪和11世纪初都经历了建筑的繁荣,雕刻精美的石柱建筑和雕塑装饰,与同时代的拜占庭同行截然不同。为理解这一时期拜占庭式建筑与高加索式建筑之间的关系,本文提出了一些研究途径。
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引用次数: 0
The Exotic West 充满异域风情的西部
Pub Date : 2019-12-12 DOI: 10.1093/oso/9780190272739.003.0022
R. Ousterhout
Increased contact between Byzantium and Western Europe found a variety of architectural manifestations. In Venice, an economic competitor with Constantinople, the imperial Church of the Holy Apostles was replicated at S. Marco as Venice constructed a legendary past for itself. In Norman Sicily of the twelfth century, with its multiethnic, religiously heterogeneous population, a new architecture developed that artfully juxtaposed Byzantine, Western European, and Islamic forms.
拜占庭和西欧之间的联系越来越多,在建筑上表现出了各种各样的形式。在经济上与君士坦丁堡竞争的威尼斯,圣使徒教堂在圣马可被复制,威尼斯为自己创造了一个传奇的过去。在12世纪的诺曼西西里,由于其多民族、宗教异质的人口,一种新的建筑发展起来,巧妙地将拜占庭、西欧和伊斯兰形式并列在一起。
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引用次数: 0
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Eastern Medieval Architecture
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