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Abstract

Dajare – Japanese pun and its research potential The present paper introduces dajare as a Japanese form of puns, i.e. utterances with multiple meanings based on a wordplay. Dajare is chosen as a minimal text with a potential of humorous effect, thus a promising starting point for a research of humor and laughter from perspec tives of cultural anthropology and cognitive linguistics. While the ability to make puns with the use of the Chi nese script in Japan is historically well documented in the form of gisho, the concept of dajare is traced to the realms of the poetic forms of haikai no renga, zappai etc. In modern Japan, dajare is often regarded rather nega tively as “old men’s joke” (oyaji gyagu), mainly due to its separation from the tradition of poetic wit. Nevertheless, several areas of the use of dajare are presented and some principles of its most common form are discussed from the linguistic point of view. The paper ends with two main proposals for further research into Japanese puns: Research in the communicative, textual and discourse functions of dajare (humorous effect as the main goal is questioned) and in the relation of puns and linguistic creativity from the perspective of construction grammar.
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Dajare -日语双关语及其研究潜力本文介绍了Dajare作为日语双关语的一种形式,即基于文字游戏的多重意义的话语。本文选择Dajare作为具有潜在幽默效果的最小文本,因此从文化人类学和认知语言学的角度研究幽默和笑声是一个很有希望的起点。在日本,使用汉字制作双关语的能力在历史上以“gisho”的形式被充分记录,而“dajare”的概念可以追溯到“海开无轮加”、“zappai”等诗歌形式的领域。在现代日本,dajare通常被认为是“老人的笑话”(oyaji gyagu),这主要是因为它与传统的诗歌机智相分离。尽管如此,本文还是介绍了dajare的几个使用领域,并从语言学的角度讨论了dajare最常见形式的一些原则。文章最后提出了进一步研究日语双关语的两个主要建议:从交际功能、语篇功能和语篇功能(以幽默效果为主要目的受到质疑)两个方面进行研究;从构式语法角度研究双关语与语言创造力的关系。
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