MUECA :S - Un model universitari invertit.

Tatiana Sentamans
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Abstract

The purpose of this article is to describe and analyse the different strategies applied in the framework of the design and management of the Master’s Degree in Cultural Studies and Visual Arts (feminist and queer perspectives), MUECA, an official master’s research degree taught on line and semi-presentially at Miguel Hernández University. For this reason, and to understand how this defines its teaching model and its inverted curriculum, we analyse not only the status quo the curriculum of MUECA and its teaching or its human and material resources (people and machines), but the personal and situated experiences that serve to announce and analyse the initial motivations that have originated a set of decisions regarding its implementation and development. The materials that generate estrangement, contact and queer pedagogies, situated epistemologies, affect networks, counter-productivity (quality versus quantity), from feminist and queer perspectives, have determined in addition to the contents, other forms of doing academic work and research within the strategies marked by the norms (educational legislation and regulations). MUECA enables an innovative teaching-learning experience in its specific framework, which has great potential for intervention in the social field and for widening the margins of action.
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MUECA:S -大学模式倒置。
这篇文章的目的是描述和分析在设计和管理文化研究和视觉艺术硕士学位(女权主义和酷儿观点)框架中应用的不同策略,MUECA是米格尔Hernández大学在线和半现场授课的官方硕士研究学位。出于这个原因,为了理解这是如何定义其教学模式和反向课程的,我们不仅分析了MUECA课程及其教学或人力和物质资源(人和机器)的现状,还分析了个人和情境经验,这些经验有助于宣布和分析产生一系列关于其实施和发展的决策的最初动机。从女权主义和酷儿的角度来看,产生隔阂、接触和酷儿教学法的材料,定位认识论,影响网络,反生产力(质量与数量),除了内容之外,还决定了在规范(教育立法和法规)所标记的策略范围内进行学术工作和研究的其他形式。MUECA在其特定的框架内提供了一种创新的教学经验,这在干预社会领域和扩大行动范围方面具有巨大的潜力。
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