{"title":"Shepard Tones and Production of Meaning in Recent Films: Lucrecia Martel's Zama and Christopher Nolan's Dunkirk","authors":"Eleonora Rapan","doi":"10.3366/SOUND.2018.0126","DOIUrl":null,"url":null,"abstract":"In December 1964, Roger Shepard published his article, ‘Circularity in Judgments of Relative Pitch’ in the Journal of the Acoustical Society of America. This idea lead to the development of the so-...","PeriodicalId":147114,"journal":{"name":"The New Soundtrack","volume":"47 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The New Soundtrack","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/SOUND.2018.0126","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
In December 1964, Roger Shepard published his article, ‘Circularity in Judgments of Relative Pitch’ in the Journal of the Acoustical Society of America. This idea lead to the development of the so-...