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The New Soundtrack最新文献

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Embodied Resonances: The Sonic Pathways in Jean-Marc Vallée's film Wild 体现共振:让-马克·瓦尔扎伊的电影《荒野》中的声音路径
Pub Date : 2018-09-01 DOI: 10.3366/SOUND.2018.0125
A. Walker
This paper seeks to translate the cinematic into the cinesomatic through a discussion of the embodied experience of cinema sound design. Cinesomatic is a neologism intended to articulate the perspe...
本文试图通过探讨电影声音设计的体现体验,将电影化转化为电影化。Cinesomatic是一个新词,用来表达……
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引用次数: 2
Front matter 前页
Pub Date : 2018-09-01 DOI: 10.3366/sound.2018.0121
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引用次数: 0
Some Notes on the Use of Voice-Over 关于画外音使用的一些注意事项
Pub Date : 2018-09-01 DOI: 10.3366/sound.2018.0128
R. Crittenden
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引用次数: 0
Music as an Element of Narration in Poetic Documentaries 音乐作为诗意纪录片的叙事元素
Pub Date : 2018-09-01 DOI: 10.3366/SOUND.2018.0124
K. Stutterheim
Music, sound and rhythm, as aesthetic means of design, have been part of the tradition of poetic documentary film from its early history. This paper discusses various examples of this genre, all of...
音乐、声音和节奏作为设计的美学手段,从早期开始就是诗意纪录片传统的一部分。本文讨论了这一类型的各种例子,所有的……
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引用次数: 0
Presentation at the 2015 School of Sound 2015年声音学院演讲
Pub Date : 2018-09-01 DOI: 10.3366/SOUND.2018.0130
P. Sellars
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引用次数: 0
Back matter 回到问题
Pub Date : 2018-09-01 DOI: 10.3366/sound.2018.0131
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引用次数: 0
Symphonies of Noise: The Urban Soundscape in Rouben Mamoulian's Applause, City Lights, Dr Jekyll and Mr Hyde and Love Me Tonight 噪音交响曲:鲁本·马穆里安的《掌声》、《城市之光》、《化身博士》和《今夜爱我》中的城市声景
Pub Date : 2018-09-01 DOI: 10.3366/sound.2018.0123
D. Power
The reputation of Rouben Mamoulian has never quite overcome Andrew Sarris's description of him as ‘an innovator who ran out of innovations’. Yet it is the inventiveness of Mamoulian's filmmaking th...
鲁本·马穆里安的名声从来没有完全克服安德鲁·萨里斯对他的描述:“一个没有创新的创新者”。然而,正是马穆里安电影制作的创造性……
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引用次数: 1
From Screenwriting for Sound to Film Sound Maps: The Evolution of Live Tone's Creative Alliance with Bong Joon-ho 从声音编剧到电影声音地图:Live Tone与奉俊昊创意联盟的演变
Pub Date : 2018-09-01 DOI: 10.3366/SOUND.2018.0127
Nikki J. Y. Lee, Julian Stringer
In Screenwriting for Sound, Randy Thom makes a persuasive case that sound designers should be involved in film production ‘as early as the screenplay…early participation of sound can make a big dif...
在《为声音写剧本》一书中,Randy Thom提出了一个很有说服力的理由,即声音设计师应该“早在写剧本的时候就参与到电影制作中来……
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引用次数: 1
Shepard Tones and Production of Meaning in Recent Films: Lucrecia Martel's Zama and Christopher Nolan's Dunkirk 近期电影中的谢泼德音调和意义的产生:露西娅·马特尔的《扎玛》和克里斯托弗·诺兰的《敦刻尔克》
Pub Date : 2018-09-01 DOI: 10.3366/SOUND.2018.0126
Eleonora Rapan
In December 1964, Roger Shepard published his article, ‘Circularity in Judgments of Relative Pitch’ in the Journal of the Acoustical Society of America. This idea lead to the development of the so-...
1964年12月,罗杰·谢泼德在《美国声学学会杂志》上发表了他的文章《相对音高判断中的圆度》。这种想法导致了……的发展。
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引用次数: 1
Approaches to Sound Design: Murch and Burtt 声音设计的方法:Murch和Burtt
Pub Date : 2018-09-01 DOI: 10.3366/SOUND.2018.0129
G. Costantini
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引用次数: 2
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The New Soundtrack
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