{"title":"From Screenwriting for Sound to Film Sound Maps: The Evolution of Live Tone's Creative Alliance with Bong Joon-ho","authors":"Nikki J. Y. Lee, Julian Stringer","doi":"10.3366/SOUND.2018.0127","DOIUrl":null,"url":null,"abstract":"In Screenwriting for Sound, Randy Thom makes a persuasive case that sound designers should be involved in film production ‘as early as the screenplay…early participation of sound can make a big dif...","PeriodicalId":147114,"journal":{"name":"The New Soundtrack","volume":"54 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The New Soundtrack","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/SOUND.2018.0127","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
In Screenwriting for Sound, Randy Thom makes a persuasive case that sound designers should be involved in film production ‘as early as the screenplay…early participation of sound can make a big dif...
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