Workshop Kreatif Karakter Wayang Material Limbah Sebagai Media Pengenalan Seni Tradisi Untuk Siswa Sd Negeri VI Mojosongo Surakarta

Subandi Subandi, Basnendar Herry Prilosadoso, Rahel Olivia Chandra
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引用次数: 1

Abstract

Wayang has a lengthy history in Indonesia, with each part of the archipelago having its own distinctive development and legends. Until today, wayang has remained a typical feature of each region’s culture. The phenomena of extremely strong globalization current flow today, where in the increasingly fragile state of the nation’s morals with the emergence of hedonistic and individualistic cultures, impacted life among the younger generation. The fading awareness of moral principles passed down through centuries run by ancestors has begun to be altered by norms and rules from the west, which do not correspond to the conditions of the original society.  One of the solutions to counteract or reduce the foreign culture is through cultural arts.  This activity serves as the effort to preserve traditional art, especially wayang and as a medium of character education for elementary school students.  The implementation of activities is at a public elementary school, SD Negeri Mojosongo VI Surakarta. The method in carrying out this introductory activity prioritizes participants and mentors activeness, supported by the use of media and effective and efficient training models with the aim that training materials being well-accepted by the trainees, the elementary school students.  In accordance with this, the design for this creative workshop refers to David Gibson’s concept of designing phases divided into three broad groups: planning, design, and implementation. Meanwhile, the stages of activity implementation involve three approaches: mutual, personal, and collaboration. This Paper Waste Wayang is neatly packaged to support the kids in creatively playing while learning; also, this activity contributes to the wayang preservation.
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皮影业创意工作坊,作为国家艺术文化引进的传统媒体,为国六学生Mojosongo Surakarta
瓦扬在印度尼西亚有着悠久的历史,群岛的每个部分都有自己独特的发展和传说。直到今天,大阳仍然是每个地区文化的典型特征。当今,在民族道德日益脆弱的情况下,随着享乐主义和个人主义文化的出现,全球化现象日益强烈,影响了年轻一代的生活。几个世纪以来祖先们传承下来的道德原则意识逐渐消失,这已经开始被来自西方的规范和规则所改变,这些规范和规则与原始社会的条件不相符。抵消或减少外来文化的解决方案之一是通过文化艺术。这项活动是为了保护传统艺术,特别是wayang,并作为一种对小学生进行品格教育的媒介。这些活动是在一所公立小学SD Negeri Mojosongo VI Surakarta实施的。本次介绍性活动的开展方法以参与者和导师的积极性为优先,辅以媒体的运用和有效高效的培训模式,使培训材料被小学生接受。因此,这个创意工作坊的设计参考了David Gibson的设计阶段概念,将设计阶段分为三大类:规划、设计和执行。与此同时,活动实施的阶段包括三种方式:相互、个人和协作。废纸大阳包装整齐,支持孩子在学习中创造性地玩耍;此外,这一活动有助于大阳的保护。
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Workshop Kreatif Karakter Wayang Material Limbah Sebagai Media Pengenalan Seni Tradisi Untuk Siswa Sd Negeri VI Mojosongo Surakarta Bermain dengan Batik sebagai Media Pembelajaran Mulok pada Siswa Sekolah Dasar Pendampingan Desain dan Promosi Produk Flaux Chenille UMKM Gunung Perca di Kelurahan Tipes, Kecamatan Serengan, Surakarta Pelatihan Visual Story Telling sebagai Pengembangan Potensi Diri dan Kemandirian Siswa Tuna Rungu SLB YKK Kabupaten Pacitan Aransemen Musik Baru Kesenian Ronteg Singo Ulung pada Sanggar Gema Buana, Desa Prajekan Kidul, Kabupaten Bondowoso, Jawa Timur
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