Aransemen Musik Baru Kesenian Ronteg Singo Ulung pada Sanggar Gema Buana, Desa Prajekan Kidul, Kabupaten Bondowoso, Jawa Timur

Zulkarnain Mistortoify, Aris Setiawan, Mutiara Dewi Fatimah
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Abstract

This research is based on community service done, aiming to create a new musical arrangement for the Ronteg Singo Ulung art in the Gema Buana Art Community, Bondowoso Regency, East Java. The concern is on musical part which has been seen as monotonous, only present to accompany the movements of Singo Ulung dances. This research employs a participatory approach, actively involved in finding new musical pattern formulations that are considered ideal for the development of Singo Ulung art in the future. In addition, experimental work on the creation of new music is carried out while still basing it on the dynamics of the culture in which the arts live that is the Madurese community. As a result, the laboratory work process in this study resulted in more dynamic musical findings, by incorporating new musical elements so that the perception of musical monotony could be eliminated. The new music produced is continuously communicated, especially to dance choreographer, so that it can become an integral and inseparable part. Thus, the creative work of new music creation also leads the emergence of a similar step in terms of choreography.
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本研究以社区服务为基础,旨在为东爪哇Bondowoso Regency的Gema Buana艺术社区的Ronteg Singo Ulung艺术创作一种新的音乐编曲。关注的是一直被视为单调的音乐部分,只出现在Singo Ulung舞蹈的动作中。这项研究采用参与式的方式,积极参与寻找新的音乐模式,这些模式被认为是未来新乌隆艺术发展的理想选择。此外,在进行新音乐创作的实验工作时,仍然基于艺术所处的文化动态,即马杜雷人社区。因此,本研究中的实验室工作过程通过融入新的音乐元素,从而消除了音乐单调的感觉,从而产生了更有活力的音乐发现。新音乐的产生是不断交流的,特别是对舞蹈编导,使其成为一个不可分割的组成部分。因此,新音乐创作的创造性工作也导致了编舞方面类似步骤的出现。
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