Four Reasons: The Garden and His Double

Jesús Marín-Clavijo
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Abstract

Analysis of an experimental educational methodology aimed at professional development in the field of visual arts. For this, it is based on the experimental and expository proposal consisting of the use of site-specific sculpture as a creative and methodological strategy for the exploration of the line of own research of students of plastic arts degree and predoctoral postgraduates. The selection of the students/artists was made based on the creative research lines they develop, examples of works that start from considering the sculptural as intrinsically related to the environment, and more specifically with the natural environment from a phenomenological and structural point of view in terms of artistic experience; and also, from a point of view of sculptural linguistic research based on the Kraussian foundations of the expanded sculptural field that formally arise from a Piaget ́s group. On the other hand, the exhibition proposal is intended as a framework for deepening production and artistic diffusion oriented to immersion in a professional experience in which all aspects of the creative process can be addressed, from the mere idea to dissemination through from different means of artistic work, so that the training obtained by the artists/students is holistic in terms of the professional field of visual arts.
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四个理由:花园和他的替身
以视觉艺术专业发展为目标的实验教育方法分析。为此,它基于实验和说明文的建议,包括使用特定场地的雕塑作为一种创造性和方法论的策略,用于探索造型艺术学位学生和博士预科研究生自己的研究路线。学生/艺术家的选择是基于他们发展的创造性研究路线,作品的例子,从考虑雕塑与环境的内在联系开始,更具体地说,从艺术经验的现象学和结构的角度来看,与自然环境有关;而且,从雕塑语言学研究的角度来看,基于克劳斯的基础,扩大了雕塑领域,正式产生于皮亚杰的群体。另一方面,展览提案旨在作为深化生产和艺术传播的框架,以沉浸在专业体验中,从单纯的想法到通过不同的艺术作品方式传播,创作过程的各个方面都可以得到解决,从而使艺术家/学生在视觉艺术专业领域获得整体的培训。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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