Kate Bernheimer, Samantha Sweeting, Catriona McAra
{"title":"Nightgown parties","authors":"Kate Bernheimer, Samantha Sweeting, Catriona McAra","doi":"10.1386/scp_00078_3","DOIUrl":null,"url":null,"abstract":"‘Nightgown parties’ is an experimental visual essay featuring a new fairy tale and previously unpublished images, a three-way collaborative ‘party’ between an artist, writer and curator. The curator, Catriona McAra, begins with a compact, comparative preface for the imaginative practices of the artist and writer which intersect at the lost moment of fairy-tale costume. Writer Kate Bernheimer has prepared a new story, ‘The Crown of Stars’ about a found photograph from artist Samantha Sweeting’s childhood, Golden Crown, in which the 4-year-old artist wears fancy dress and appears to be dancing with abandon. McAra argues that, for both, the fairy-tale costume functions as primary matter, with close reference to well-known tales that feature articles of clothing such as Charles Perrault’s ‘Peau d’Âne’ (‘Donkeyskin’), ‘Cinderella’, and ‘Little Red Riding Hood’. McAra’s context for this new tale and image brings together fairy-tale scholarship and costume studies.","PeriodicalId":177562,"journal":{"name":"Studies in Costume & Performance","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Costume & Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/scp_00078_3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
‘Nightgown parties’ is an experimental visual essay featuring a new fairy tale and previously unpublished images, a three-way collaborative ‘party’ between an artist, writer and curator. The curator, Catriona McAra, begins with a compact, comparative preface for the imaginative practices of the artist and writer which intersect at the lost moment of fairy-tale costume. Writer Kate Bernheimer has prepared a new story, ‘The Crown of Stars’ about a found photograph from artist Samantha Sweeting’s childhood, Golden Crown, in which the 4-year-old artist wears fancy dress and appears to be dancing with abandon. McAra argues that, for both, the fairy-tale costume functions as primary matter, with close reference to well-known tales that feature articles of clothing such as Charles Perrault’s ‘Peau d’Âne’ (‘Donkeyskin’), ‘Cinderella’, and ‘Little Red Riding Hood’. McAra’s context for this new tale and image brings together fairy-tale scholarship and costume studies.