The timeless tale of Bricriu's feast

Matthieu Boyd
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Abstract

Abstract:The early Irish tale Fled Bricrenn ‘Bricriu's feast’ is set at an impossible time relative to the centerpiece of the Ulster Cycle, the epic Táin bó Cúailnge. Key characters, including Bricriu himself, are not available after the Táin, while the integral episodes involving Ailill and Medb would make no sense before the Táin. The embarrassing behavior of the heroes Lóegaire and Conall is also inconsistent with the way they are portrayed in other texts. Although there are limited parallels with other kinds of medieval literature, such as the verse tradition of French Arthurian romance, these problems are most helpfully addressed by recourse to contemporary Fan Fiction studies in conjunction with the medieval concept of glossing. Even if it does contain authentic lore, Bricriu's feast comes into focus as a comically distorted, but serious-minded reflection on the rest of the Ulster Cycle, including the Táin. The major themes of this reflection include the devaluation of fame through excess of praise, and the worthiness of the hero's community to benefit from him, even as the hero's own status depends on serving their interests and enacting their values.
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布里留盛宴的永恒故事
摘要:早期的爱尔兰故事《逃离布里克伦》(Bricrenn’Bricriu’s feast)发生在一个与阿尔斯特循环的核心史诗Táin bó Cúailnge不可能的时代。关键人物,包括bririu本人,在Táin之后就没有了,而涉及Ailill和Medb的完整剧集在Táin之前是没有意义的。主人公Lóegaire和Conall的尴尬行为也与其他文本中对他们的描绘方式不一致。尽管它与其他类型的中世纪文学(如法国亚瑟王传奇的诗歌传统)有有限的相似之处,但这些问题最有帮助的解决方法是求助于与中世纪注释概念相结合的当代同人小说研究。即使它确实包含了真实的爱情,布里瑞乌的盛宴也成为了人们关注的焦点,因为它被滑稽地扭曲了,但却严肃地反映了阿尔斯特循环的其余部分,包括Táin。这种反思的主要主题包括通过过度的赞美来贬低名声,以及英雄的社区从他身上受益的价值,即使英雄自己的地位取决于服务于他们的利益和制定他们的价值观。
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