Clarissa Dalloway’s Global Itinerary: From London to Paris and Sydney

Monica Latham
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Abstract

Almost a century after its publication, Virginia Woolf’s Mrs Dalloway (1925) continues to endure and influence many international contemporary writers. This chapter focuses on three contemporary women writers who have authored recent novels inspired by Mrs Dalloway and who have revived Dalloway-esque themes within a renewed spectrum of aesthetic, cultural and political contexts. From direct, intended homages to Woof’s Mrs Dalloway to more subtle allusions, Anne Korkeakivi (An Unexpected Guest, 2012), Carole Llewellyn (Une ombre chacun, 2017) and Gail Jones (Five Bells, 2011) have taken their own twenty-first-century Clarissa Dalloway to Paris and Sydney. These cities, with their topographic, historical and cultural specificities, function as the canvas for the contemporary characters’ wanderings. Korkeakivi, Llewellyn and Jones perpetuate Woolf’s Dalloway-isms, but they also make them new by adapting them to contemporary expectations, settings and situations.
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克拉丽莎·达洛维的全球行程:从伦敦到巴黎和悉尼
弗吉尼亚·伍尔夫的《达洛维夫人》(1925)出版近一个世纪后,仍然影响着许多国际当代作家。这一章主要关注三位当代女作家,她们受达洛维夫人的启发创作了近期的小说,并在新的美学、文化和政治背景下复兴了达洛维式的主题。从直接向伍夫笔下的达洛维夫人致敬,到更微妙的暗示,安妮·科尔基基维(《不速之客》,2012年)、卡罗尔·卢埃林(《阴雨夜》,2017年)和盖尔·琼斯(《五铃响》,2011年)都把自己的21世纪克拉丽莎·达洛维带到了巴黎和悉尼。这些城市以其独特的地形、历史和文化特征,成为当代人物漫游的画布。科尔基基维、卢埃林和琼斯延续了伍尔夫的达洛维主义,但他们也通过将其适应当代的期望、背景和情况而使其焕然一新的。
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