Alignment and embodiment in a play script writing process: A sociocognitive perspective

Eka Margianti Sagimin, S. Sugiharto
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Abstract

Recent development in second language acquisition scholarship has advanced our understanding of how language is acquired by aligning the mind, body, and socio-material world.  Although many studies have been conducted from this perspective, more study on alignment focusing on writing a play script story in literature is needed. Drawing upon the idea of socio-cognitive alignment, this study investigated English literature student interactions during the process of writing a play script. It aims were to find out how mind-body-world as socio-cognitive alignment could contribute to a meaning-making process during writing a play script. A moment analysis was used as a method for analyzing data which were elicited from an audio/videotape recording and semi-structured interviews using a digital platform.  Results revealed that the integration of mind, body, and world was well-coordinated during the process of writing the play script. That is, the integration of mind-body-world was evident in how the students employed both verbal resources and other multimodalities in working with literary works and fiction. The study also demonstrated the importance of alignment and interaction for the development of fiction writing and language competence of EFL students.
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剧本写作过程中的一致性和具体化:社会认知视角
第二语言习得研究的最新进展使我们进一步了解语言是如何通过协调思想、身体和社会物质世界来习得的。虽然从这个角度进行了很多研究,但更多的研究需要集中在文学剧本故事的写作上。基于社会认知一致性的观点,本研究调查了英语文学专业学生在剧本写作过程中的互动。它的目的是找出心理-身体-世界作为社会认知的一致性如何有助于剧本创作过程中的意义形成。使用瞬间分析作为分析数据的方法,这些数据来自音频/录像带记录和使用数字平台的半结构化访谈。结果显示,在创作剧本的过程中,思想、身体和世界的融合得到了很好的协调。也就是说,心理-身体-世界的整合在学生们如何使用语言资源和其他多模式来处理文学作品和小说中表现得很明显。研究还证明了对齐和互动对英语学生小说写作和语言能力发展的重要性。
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