Research on the Display of VR Animation Art in Historical Relics–Take the Example of the Eastern Han Dynasty Silver Copper Bull Lamp

Yunyan Cai, Yang Cao
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Abstract

This takes VR animation display of the Eastern Han Dynasty silver copper bull lamp as an example to study the advantages of VR animation in the display of historical heritage. Combined with historical documents and field pictures, the digital restoration of The Eastern Han Dynasty silver copper bull lamp was carried out in MAYA and Z-Brush, materials and maps required for topological relics in Photoshop, construction of simulated display scenes in SketchUp, and output of final renderings in 3ds Max. The final effect compared with traditional historical relics display, the biggest advantage of VR animation display is that it can break through the limitation of time, space and particularity of cultural relics, and watch through VR equipment anytime and anywhere, which has certain positive significance for the promotion and promotion of Chinese historical relics and the spirit of traditional craftsmen.
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VR动画艺术在文物中的展示研究——以东汉银铜牛灯为例
本文以东汉银铜牛灯的VR动画展示为例,研究VR动画在历史遗产展示中的优势。结合历史文献和现场图片,在MAYA和Z-Brush中对东汉银铜牛灯进行数字修复,在Photoshop中对拓扑文物进行所需的材料和地图,在SketchUp中构建模拟展示场景,在3ds Max中输出最终效果图。最终效果与传统文物展示相比,VR动画展示的最大优势在于可以突破文物的时间、空间和特殊性的限制,通过VR设备随时随地观看,对于中国文物和传统工匠精神的推广和推广具有一定的积极意义。
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