{"title":"Research on the Application of Tibetan Costume Elements in CG Animation Creation","authors":"Yang Cao, Bingchao Qi, Qinyou Zhou","doi":"10.1145/3529570.3529584","DOIUrl":null,"url":null,"abstract":"This paper studies from the perspective of combining the creation of modern CG (COMPUTER GRAPHICS) animation technology and carrying forward Tibetan culture. Extract the artistic characteristics of DiQing Tibetan culture from clothing elements, see the big from the small, carry forward Tibetan national culture and provide creative sources for animation art design. Tibetan clothing elements carry the Tibetan people's overall yearning and love for a better life and reflect their aesthetic consciousness. Through sorting and summarizing the traditional clothing with Tibetan characteristics, mask decoration in folk art and clothing elements related to religious culture, we can accumulate a lot of design inspiration for animation design and creation. According to the legend of kelsang flowers of DiQing Tibetan, show the real face and life scene of DiQing Tibetan. Refine the required modeling, reprocess some factors with artistic value, and sublimate them into artistic images. Then add appropriate dress elements according to the theme and composition. In the color view of Tibetan art, turbid colors and gray rarely appear. The common color systems are simple and simple colors such as red, yellow, blue, green and white color brings people a magnificent visual impact. This study will take the use of visual elements in Diqing Tibetan culture as the starting point in the future, Spread and inherit Tibetan visual elements in the form of animation and provide a beneficial exploration for Chinese minority traditional culture and modern animation creation.","PeriodicalId":430367,"journal":{"name":"Proceedings of the 6th International Conference on Digital Signal Processing","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 6th International Conference on Digital Signal Processing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3529570.3529584","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This paper studies from the perspective of combining the creation of modern CG (COMPUTER GRAPHICS) animation technology and carrying forward Tibetan culture. Extract the artistic characteristics of DiQing Tibetan culture from clothing elements, see the big from the small, carry forward Tibetan national culture and provide creative sources for animation art design. Tibetan clothing elements carry the Tibetan people's overall yearning and love for a better life and reflect their aesthetic consciousness. Through sorting and summarizing the traditional clothing with Tibetan characteristics, mask decoration in folk art and clothing elements related to religious culture, we can accumulate a lot of design inspiration for animation design and creation. According to the legend of kelsang flowers of DiQing Tibetan, show the real face and life scene of DiQing Tibetan. Refine the required modeling, reprocess some factors with artistic value, and sublimate them into artistic images. Then add appropriate dress elements according to the theme and composition. In the color view of Tibetan art, turbid colors and gray rarely appear. The common color systems are simple and simple colors such as red, yellow, blue, green and white color brings people a magnificent visual impact. This study will take the use of visual elements in Diqing Tibetan culture as the starting point in the future, Spread and inherit Tibetan visual elements in the form of animation and provide a beneficial exploration for Chinese minority traditional culture and modern animation creation.