Wiedza i światło u Jana Amosa Komeńskiego w "Labiryncie świata i raju serca" i w twórczości Fiodora Dostojewskiego – podobieństwa i różnice

Mateusz Wąsowski
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Abstract

In the works by John Amos Comenius (1592-1670), light often plays a key role in the interpretation of the text. This is related to the philosophy of the Baroque, according to which a person wanders through the metaphorical labyrinth of life and only later, passing through the darkness, can reach the truth. Light in Comenius' works is particularly important for cognition, to which John Amos Comenius devoted a large part of his work, both artistic and pedagogical. Fyodor Dostoyevsky (1821-1881) in his reflections on the nature of man and God also refers to the biblical interpretation according to which light is closely related to the presence of Christ. Man is faced with a choice between the light and the dark, he is lost in the choice, as if in a baroque world-maze and darkness.
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在约翰·阿莫斯·夸美纽斯(1592-1670)的作品中,光经常在文本解释中起着关键作用。这与巴洛克的哲学有关,根据这种哲学,一个人在隐喻的生活迷宫中徘徊,只有后来,穿过黑暗,才能到达真理。在夸美纽斯的作品中,光对认知尤为重要,约翰·阿莫斯·夸美纽斯在他的艺术和教学工作中投入了很大一部分。陀思妥耶夫斯基(Fyodor Dostoyevsky, 1821-1881)在他对人与上帝的本性的反思中也提到了圣经的解释,根据圣经的解释,光与基督的存在密切相关。人面临着光明与黑暗的选择,他迷失在选择中,仿佛置身于一个巴洛克式的世界迷宫与黑暗之中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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