{"title":"The Worm Squirming in the Root: An Image of Democracy in Okediran’s Tenants of the House","authors":"T. Dick","doi":"10.4314/LALIGENS.V6I1.6","DOIUrl":null,"url":null,"abstract":"Democracy in Nigeria may be said to have made some headway since independence. Even though this democracy seems to have overcome the truncation of its first and second republics by military dictatorships, and has transited over the decades into what may appear from an uncritical observation to be an emergent stable democratic culture, the same worm squirming in its root that had sent it into a coma is burgeoning rather than whittling down. Nigerian fiction, acting as the weather-vane for this development has spotted these political shenanigans. The literary artists have lived up to their calling as defined by Howe: to be “seized by the passion to represent and to give order to experience.” This article identifies unrelenting compulsive and pervasive corruption as the image of democracy in contemporary Nigerian literature. The paper undertakes a study of Okediran’s Tenants of the House to explore political insensitivity that is propelled by avarice in leadership in Nigeria. The study attempts to examine the angst of the author’s creativity in his attempt to capture a moment of Nigeria’s leadership vacuum in the historical consciousness of the people, and concludes that contemporary Nigerian literature remains a committed art, decrying social ills that negate the well-being of the people.","PeriodicalId":126753,"journal":{"name":"AFRREV LALIGENS: An International Journal of Language, Literature and Gender Studies","volume":"94 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"AFRREV LALIGENS: An International Journal of Language, Literature and Gender Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4314/LALIGENS.V6I1.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Democracy in Nigeria may be said to have made some headway since independence. Even though this democracy seems to have overcome the truncation of its first and second republics by military dictatorships, and has transited over the decades into what may appear from an uncritical observation to be an emergent stable democratic culture, the same worm squirming in its root that had sent it into a coma is burgeoning rather than whittling down. Nigerian fiction, acting as the weather-vane for this development has spotted these political shenanigans. The literary artists have lived up to their calling as defined by Howe: to be “seized by the passion to represent and to give order to experience.” This article identifies unrelenting compulsive and pervasive corruption as the image of democracy in contemporary Nigerian literature. The paper undertakes a study of Okediran’s Tenants of the House to explore political insensitivity that is propelled by avarice in leadership in Nigeria. The study attempts to examine the angst of the author’s creativity in his attempt to capture a moment of Nigeria’s leadership vacuum in the historical consciousness of the people, and concludes that contemporary Nigerian literature remains a committed art, decrying social ills that negate the well-being of the people.
自独立以来,尼日利亚的民主可以说取得了一些进展。尽管这种民主似乎已经克服了军事独裁对其第一和第二共和国的截断,并在几十年的时间里过渡到一种新兴的稳定的民主文化,从不加批判的观察来看,这可能是一种新兴的稳定的民主文化,但同样的蠕虫在其根部蠕动,使其陷入昏迷,而不是减少。作为这一发展的风向标,尼日利亚的小说已经发现了这些政治诡计。正如豪所定义的那样,文学艺术家没有辜负他们的使命:“被激情所抓住,去表现和赋予经验秩序。”这篇文章确定无情的强迫和普遍的腐败作为当代尼日利亚文学中的民主形象。本文对Okediran的《租客之家》(Tenants of The House)进行了研究,以探讨尼日利亚领导层的贪婪所推动的政治麻木。该研究试图考察作者在试图捕捉尼日利亚人民历史意识中领导真空的时刻时的创造力所带来的焦虑,并得出结论认为,当代尼日利亚文学仍然是一门坚定的艺术,谴责否定人民福祉的社会弊病。