Cultural Encounters: Glimpses of the United States in Late Twentieth-Century Romanian Travel Narratives

Anca-Luminița Iancu
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Abstract

Abstract Travel narratives are complex accounts that include a significant layer of factual information – related to the geography, history, and/or the culture of a particular place or country – and a more personal layer, comprising the author’s unique perceptions and rendering of the travel experience. In the last thirty years of transition from a communist to a democratic society, the Romanians have been free to travel to any country they choose; however, during the communist period, especially during the 1980s, travelling to Western, capitalist countries, such as France, Great Britain, Canada, or the United States, was rather limited and fraught with complex issues. Still, Romanian travelers during that time managed to visit the United States, on diplomatic- or business-related exchanges, and published interesting travel stories of their experiences there. Therefore, this essay sets out to capture, from a comparative perspective, the impressions and encounters depicted by Radu Enescu in Between Two Oceans (1986), Ion Dinu in Traveler through America (1991) and Viorel Sălăgean in Hello America! (1992), with a view to analyzing how their descriptions and perceptions of two major urban spaces, New York City and San Francisco, reflect the complexity of the American social and cultural landscape in the late 1970s and mid-1980s.
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文化相遇:20世纪晚期罗马尼亚旅行叙事中的美国一瞥
旅行叙事是一种复杂的叙述,它包括一个重要的事实信息层——与特定地方或国家的地理、历史和/或文化有关——以及一个更个人的层面,包括作者对旅行经历的独特感知和渲染。在过去三十年从共产主义社会向民主社会过渡的过程中,罗马尼亚人可以自由地前往他们选择的任何国家;然而,在共产主义时期,特别是在20世纪80年代,前往西方资本主义国家,如法国、英国、加拿大或美国,是相当有限的,充满了复杂的问题。尽管如此,那段时间的罗马尼亚旅行者还是设法通过外交或商业交流访问了美国,并发表了他们在那里的有趣旅行经历。因此,本文从比较的角度出发,试图捕捉拉杜·埃内斯库在《两大洋之间》(1986)、伊昂·迪努在《美国旅行者》(1991)和维奥列尔·斯尔利尔吉安在《你好,美国!》(1992),旨在分析他们对纽约和旧金山这两个主要城市空间的描述和看法如何反映了20世纪70年代末和80年代中期美国社会和文化景观的复杂性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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