The Aetiology and the Pyschogenesis of Tyrannical Behaviour in Macbeth

Emilian Tîrban
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Abstract

Abstract This article explores the aetiology and the psychogenesis of Macbeth’s tyrannical ambitions and the growth of his psychic degradation. Macbeth deigns to be an incorrigible regicide, but his ambition is ultimately overpowered by his conscience. This aporetic conflict is ultimately fatal to his morality and sense of Self. Character analysis informed by psychoanalytic criticism will investigate the protagonist’s tormented psyche in its struggle between the ego-syntonic (Persona) and the ego-dystonic (Shadow) leading to neurosis that culminates in psychosis as Macbeth’s identity fractures throughout the play. The ontological issue of the Witches is explored in an attempt to explain the role the metamorphic environment plays in Macbeth’s psychic atrophy. For this reason, the Witches present us with the conundrum of their being both phenomenal and noumenal. Macbeth’s difficulty to distinguish between the real and the phantasmagoric results in a psychotic breakdown. Accordingly, he becomes a mad tyrant seeking to protect his unlawful reign.
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《麦克白》中暴虐行为的成因与心理成因
摘要本文探讨了麦克白暴虐野心的成因和心理成因,以及他精神堕落的成因。麦克白屈尊成为一个无可救药的弑君者,但他的野心最终被他的良心所压倒。这种悲叹的冲突最终对他的道德和自我意识是致命的。在精神分析批评的指导下,人物分析将调查主人公在自我同步(假面)和自我反张力(影子)之间的挣扎中饱受折磨的心灵,这导致了神经症,随着麦克白的身份在剧中的断裂,神经症最终以精神病告终。通过对《女巫》的本体论问题的探讨,试图解释变形的环境在麦克白精神萎缩中所起的作用。出于这个原因,女巫们向我们呈现了一个难题,即她们既是现象的,又是本体的。麦克白难以区分真实和虚幻,这导致了精神崩溃。因此,他变成了一个疯狂的暴君,试图保护他的非法统治。
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