Sterling Brown’s Laughter Out of Hell

Rachel Trousdale
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Abstract

Brown’s sense of humor provides guiding principles for real-world action while making the Black tradition of private anti-racist laughter public. Brown examines the violence of traditional superiority humor in poems like “Sam Smiley,” in which Black laughter is silenced by lynching. Rather than simply rejecting such humor, Brown gives readers alternatives: his anti-hierarchical approach in the “Slim Greer” poems inverts Bergson’s logic, making humor a precondition for empathy. The partial resemblance we see between ourselves and the object of laughter can teach us to recognize our commonality even with our enemies. For Brown, the ethical underpinnings of art lie in artists’ awareness of contingency, complexity, and the subjectivities of unlike others. Empathic humor turns laughter from a zero-sum game to a game everyone can win by rejecting not just racism but hierarchical thinking as a whole. Brown shows how empathic laughter can reframe our knowledge of other people and upend the way we systematize that knowledge.
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斯特林·布朗的《来自地狱的笑声》
布朗的幽默感为现实世界的行动提供了指导原则,同时也使黑人私下反种族主义笑声的传统公开。布朗在《山姆·斯米利》(Sam Smiley)等诗中考察了传统优越感幽默的暴力,在这些诗中,黑人的笑声被私刑压制住了。布朗并没有简单地拒绝这种幽默,而是为读者提供了另一种选择:他在《Slim Greer》诗歌中的反等级方法颠覆了柏格森的逻辑,使幽默成为同理心的先决条件。我们看到自己和被嘲笑的对象之间的部分相似之处,可以教会我们认识到我们的共同点,甚至与我们的敌人。对布朗来说,艺术的伦理基础在于艺术家对偶然性、复杂性和与他人不同的主观性的意识。移情幽默将笑声从零和游戏转变为每个人都能赢的游戏,不仅拒绝种族主义,还拒绝整个等级思维。布朗展示了同理心的笑声如何重塑我们对他人的认识,并颠覆我们将这种认识系统化的方式。
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Laughter and Knowledge in Contemporary Poetry Distance, and Intimacy, and T. S. Eliot’s Self-Critical Laughter “Shocked at my Levity” “Tell me the Truth” Sterling Brown’s Laughter Out of Hell
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