Hyper-realism in the Adventures of Tintin

Chris P. Carter
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引用次数: 1

Abstract

The Adventures of Tintin: The Secret of the Unicorn is an animated feature film that blends graphic stylisation with photorealistic surfaces and motion capture to create digital beings in a hyper-realistic style. As a result, the visual style of The Adventures of Tintin is significantly different to the now dominant cartoon stylisation that continues to develop in studios such as Disney, PIXAR and many others. Disney inspired cartoon stylised films, such as Frozen, continue to engage audiences around the world; receiving relatively little criticism for their visual style. Hyper-realistic animation, however, has struggled to achieve the same widespread acceptance. Many people continue to find hyper-realistic characters less engaging than cartoon characters and at times even find them to be somewhat repulsive. Via close analysis of The Adventures of Tintin, this paper illuminates the significance of establishing visual harmony between the elements of shape, surface and motion to sustain appealing and believable hyper-realistic characters.
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《丁丁历险记》中的超现实主义
《丁丁历险记:独角兽的秘密》是一部动画长片,它将图形风格与逼真的表面和动作捕捉相结合,以超现实的风格创造了数字生物。因此,《丁丁历险记》的视觉风格与迪士尼、皮克斯等工作室不断发展的主流卡通风格截然不同。《冰雪奇缘》等迪士尼风格的卡通电影继续吸引着世界各地的观众;他们的视觉风格受到的批评相对较少。然而,超现实主义动画一直难以获得同样广泛的接受。许多人仍然觉得超现实主义人物不如卡通人物吸引人,有时甚至觉得他们有点令人反感。本文通过对《丁丁历险记》的细致分析,阐明了在形状、表面和运动元素之间建立视觉上的和谐,以维持具有吸引力和可信度的超现实主义人物的重要性。
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