{"title":"“Humor Saves Steps”","authors":"Rachel Trousdale","doi":"10.1093/oso/9780192895714.003.0003","DOIUrl":null,"url":null,"abstract":"Marianne Moore treats humor as a way to recognize what we have in common with others and to create understanding across difference. In her early work, Moore experiments with combinations of satire and empathy. In “A Prize Bird” and “The Wood-Weasel,” she uses humor as a test of friendship, and suggests that sympathetic laughter constitutes a distinctively American approach to collaborative artistic creation. Humor in “The Pangolin,” like the artists’ tools Moore discusses in the poem, is an end in itself and a way to discover new possibilities: it marks shared humanity and unites the human with the divine. Moore’s laughter occurs when we understand intuitively what it is like to be someone else; the more apparently unlike us the other, the more satisfying the laughter. Throughout Moore’s work, humor can be read as an ars poetica, modeling the synthesis of diverse components that she performs in her poetry.","PeriodicalId":262367,"journal":{"name":"Humor, Empathy, and Community in Twentieth-Century American Poetry","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Humor, Empathy, and Community in Twentieth-Century American Poetry","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780192895714.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

Abstract

Marianne Moore treats humor as a way to recognize what we have in common with others and to create understanding across difference. In her early work, Moore experiments with combinations of satire and empathy. In “A Prize Bird” and “The Wood-Weasel,” she uses humor as a test of friendship, and suggests that sympathetic laughter constitutes a distinctively American approach to collaborative artistic creation. Humor in “The Pangolin,” like the artists’ tools Moore discusses in the poem, is an end in itself and a way to discover new possibilities: it marks shared humanity and unites the human with the divine. Moore’s laughter occurs when we understand intuitively what it is like to be someone else; the more apparently unlike us the other, the more satisfying the laughter. Throughout Moore’s work, humor can be read as an ars poetica, modeling the synthesis of diverse components that she performs in her poetry.
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“幽默省事”
玛丽安·摩尔认为幽默是一种认识到我们与他人的共同点,并在差异中建立理解的方式。在她早期的作品中,摩尔尝试将讽刺和同理心结合在一起。在《获奖鸟》(A Prize Bird)和《黄鼠狼》(The Wood-Weasel)中,她用幽默来测试友谊,并指出,富有同情心的笑声构成了合作艺术创作的一种独特的美国方式。《穿山甲》中的幽默,就像摩尔在诗中讨论的艺术家的工具一样,本身就是一个目的,也是一种发现新可能性的方式:它标志着共同的人性,将人与神结合在一起。当我们直觉地理解成为别人是什么感觉时,摩尔的笑声就会出现;越是明显不像我们的人,笑声就越令人满意。在摩尔的整个作品中,幽默可以被解读为一种艺术,模仿了她在诗歌中所表现的各种成分的综合。
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Laughter and Knowledge in Contemporary Poetry Distance, and Intimacy, and T. S. Eliot’s Self-Critical Laughter “Shocked at my Levity” “Tell me the Truth” Sterling Brown’s Laughter Out of Hell
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