A Mercy

Q4 Arts and Humanities Kronos Pub Date : 2023-11-08 DOI:10.17159/2309-9585/2023/v49a8
B Kona
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引用次数: 0

Abstract

This text is a remix of an archival engagement with recordings/performances of 'freedom songs' or 'liberation songs' in a south or southern African context. The authors began this collaborative research project as part of a course in the Masters in History degree programme at the University of the Western Cape (UWC). The essay includes a re-edited, updated transcript of dialogue the authors shared along with two mix(tap)es they produced together. The conversation speaks of songs as archives, archives of song(s), and memory/ies pertaining to anti-Apartheid struggle and ongoing Fallism.
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一个仁慈
这篇文章是在南部或南部非洲背景下的“自由歌曲”或“解放歌曲”的录音/表演的档案参与的混音。作者开始了这个合作研究项目,作为西开普省大学(UWC)历史硕士学位课程的一部分。这篇文章包括一个重新编辑的,更新的对话记录,作者分享了他们一起制作的两个混音(tap)。谈话中谈到歌曲是档案,歌曲的档案,以及与反种族隔离斗争和持续的谬论有关的记忆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Kronos
Kronos Arts and Humanities-Philosophy
自引率
0.00%
发文量
8
审稿时长
24 weeks
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