Relational Character Constellations: Maryse Condé's Traversée de la mangrove and Maylis de Kerangal's Réparer les vivants

IF 0.1 4区 文学 0 LITERATURE, ROMANCE ESPRIT CREATEUR Pub Date : 2023-09-01 DOI:10.1353/esp.2023.a906713
Rebecca Grenouilleau-Loescher
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Abstract

Abstract: This article examines the character constellations of Maryse Condé's Traversée de la mangrove (1989) and Maylis de Kerangal's Réparer les vivants (2014) as a vector for relational thought. Largely undifferentiated and non-hierarchical, both novels draw out a matrix of intersecting points in plot as viewed through the experiences and perspective of each character. This design, I argue, allows the reader to construct a cohesive, albeit incomplete, view of each story world, ultimately positing a vision for community grounded in the notion of relationality: a plethora of crossing paths intermittently all together, yet altogether elsewhere, all at once.
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关系人物星座:玛丽丝·康德的《穿越红树林》和梅里斯·德·克兰加尔的《穿越红树林》
摘要:本文考察了Maryse condains的《穿越红树林》(1989)和Maylis de Kerangal的《穿越红树林》(2014)中的人物星座作为关系思维的载体。在很大程度上,这两部小说没有区别,也没有等级,通过每个角色的经历和视角,它们在情节中勾勒出了一个交叉点矩阵。我认为,这种设计允许读者构建一个连贯的,尽管不完整的,对每个故事世界的看法,最终假设一个基于关系概念的社区愿景:大量的交叉路径间歇性地聚集在一起,但在其他地方一起,同时。
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来源期刊
ESPRIT CREATEUR
ESPRIT CREATEUR LITERATURE, ROMANCE-
CiteScore
0.20
自引率
0.00%
发文量
39
期刊介绍: For more than forty years, L"Esprit Créateur has published studies on French and Francophone literature, film, criticism, and culture. The journal features articles representing a variety of methodologies and critical approaches. Exploring all periods of French literature and thought, L"Esprit Créateur focuses on topics that define French and Francophone Studies today.
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Introduction: Characters in/as Connection Relational Character Constellations: Maryse Condé's Traversée de la mangrove and Maylis de Kerangal's Réparer les vivants Déjà lu ?: On Rachid Boudjedra's Recurring Jewish-Muslim Figure Deciphering 1848: Repetition and Degradation in Madame Bovary Relier l'arrière-plan : Le réseau des figurants dans le roman de type réaliste du XIXe siècle
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