Zora Neale Hurston’s Trans-Corporeal Imagination: A Reading of Their Eyes Were Watching God

Hyo Seon Kim
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 This paper has two primary objectives. First, employing Alaimo’s concept as a framework, it examines the material transit between human bodies and the environment within the novel. It redefines Hurston’s environmental vision and the political nature of the text. Second, it remaps the geography of criticism about the novel via the material turn’s interpretations of biological essentialism as well as social constructionism. There has been a schism in Hurston criticism between identity politics over African American folk culture and post-structural interpretations of race and gender. This paper argues that by focusing on the microscopic interactions between the human and nonhuman worlds, it is possible to bring about substantial change in the dominant scholarship that appear irreconcilable.","PeriodicalId":488777,"journal":{"name":"Bi'pyeong gwa i'lon","volume":"202 ","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bi'pyeong gwa i'lon","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19116/theory.2023.28.3.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

This study examines Zora Neale Hurston’s Their Eyes Were Watching God through the lens of Stacy Alaimo’s concept of Trans-Corporeality. The recent emergence of materiality in feminist thought has been prompted by the debate around the linguistic turn and its social constructionist models. Postmodernism and post-structuralism have enriched feminist theory to deconstruct the biological determinism and the dichotomies of nature/culture, matter/mind, and female/male. However, these theories have perpetuated Western dualism by keeping women away from nature and disregarding the materiality of bodies. Alaimo introduces the concept of Trans-Corporeality as an epistemological zone that explores the material interchanges between bodies and the wider nonhuman environment. This paper has two primary objectives. First, employing Alaimo’s concept as a framework, it examines the material transit between human bodies and the environment within the novel. It redefines Hurston’s environmental vision and the political nature of the text. Second, it remaps the geography of criticism about the novel via the material turn’s interpretations of biological essentialism as well as social constructionism. There has been a schism in Hurston criticism between identity politics over African American folk culture and post-structural interpretations of race and gender. This paper argues that by focusing on the microscopic interactions between the human and nonhuman worlds, it is possible to bring about substantial change in the dominant scholarship that appear irreconcilable.
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卓拉·尼尔·赫斯顿的跨肉体想象:解读他们的眼睛在注视着上帝
本研究通过斯泰西·阿莱莫的跨肉体概念来考察佐拉·尼尔·赫斯顿的《他们的眼睛在看着上帝》。近年来女性主义思想中出现的物质性思想是由围绕语言转向及其社会建构主义模式的争论所推动的。后现代主义和后结构主义丰富了女性主义理论,解构了生物决定论和自然/文化、物质/精神、女性/男性的二分法。然而,这些理论使女性远离自然,无视身体的物质性,从而延续了西方的二元论。Alaimo引入了跨肉体(Trans-Corporeality)的概念,作为一个认识论领域,探索身体与更广泛的非人类环境之间的物质交换。 本文有两个主要目标。首先,以Alaimo的概念为框架,考察小说中人体与环境之间的物质传递。它重新定义了赫斯顿的环境愿景和文本的政治性质。其次,它通过物质转向对生物本质主义和社会建构主义的解释,重新绘制了小说批评的地理位置。在赫斯顿的批评中,对非裔美国人民间文化的身份政治与对种族和性别的后结构解释之间存在着分歧。本文认为,通过关注人类和非人类世界之间的微观相互作用,有可能给占主导地位的学术带来看似不可调和的实质性变化。
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