Gothic Сathedrals in the Fire of the World War: Monuments of Medieval Architecture in the Visual Historical Evidence of the 20th Century

Grigoriy Bakus
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Abstract

“Rotterdam durch deutsche bomben vernichtet” — this inscription in German Language was written on snapshot with most prominent Gothic-styled Church of the city. The nearest area was destroyed completely and only ruins there were everywhere. Today this card, an amateur photo, is a piece of historical evidence both in the fields of longue durée terms of existence for medieval monuments in traditional cityscapes and local societies, which had living there. During the periods of the First and the Second World Wars were made the arrays of images of the same sort with monuments of medieval culture — the cathedrals of Reims, Rouen, Amiens, Laon, the Sint-Laurenskerk in Rotterdam, the Benedictine abbey of Mont Saint-Michel. Together with the earlier images, these photographs allow us to return to the problem of the “Traditional Church in Modern Culture”, which was identified by R. Kieckhepher on another material, as well as to talk about the content of the images of the Middle Ages in the discourses of the 20th century (O. G. Oexle).
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哥特式Сathedrals在世界大战的火:在20世纪的视觉历史证据的中世纪建筑纪念碑
“鹿特丹durch deutsche bomben vernichtet”——这句德语铭文写在该市最著名的哥特式教堂的快照上。最近的地区被完全摧毁,到处都是废墟。今天,这张卡片,一张业余爱好者的照片,是中世纪遗迹在传统城市景观和当地社会中长期存在的历史证据。在第一次和第二次世界大战期间,制作了一系列与中世纪文化纪念碑类似的图像-兰斯、鲁昂、亚曼、拉昂的大教堂、鹿特丹的圣劳伦斯克教堂、圣米歇尔山的本笃会修道院。这些照片与早期的图像一起,让我们回到了R. kieckheher在另一种材料上所确定的“现代文化中的传统教会”问题,并讨论了20世纪话语中的中世纪图像的内容(O. G. Oexle)。
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CiteScore
0.30
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127
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