{"title":"I rozpięła na szpilce jak motyla… Żydówki-rewolucjonistki w polskiej prozie antysemickiej w pierwszej połowie XX wieku","authors":"Małgorzata Domagalska","doi":"10.4467/24500100stj.23.005.18222","DOIUrl":null,"url":null,"abstract":"“And She Stretched Him on a Pin Like a Butterfly...”: Revolutionary Jewish Women in Polish Antisemitic Prose of the First Half of the Twentieth Century After the revolution of 1905, revolutionary Jewish women began to appear among the heroines typical of the antisemitic novels of the nineteenth century. This type of female protagonist can be found in the novels written by Józef Weyssenhoff (Hetmani [The Hetmans]), Rev. Jan Gnatowski (Zły czar [Bad Spell]), and then in the 1930s in the novels by Roman Dmowski (Dziedzictwo [The Heritage]) and Jędrzej Giertych (Zamach [The Coup]). In these narratives, Poland is presented as a victim of manipulation by Jews, Germans, and in the case of the Bad Spell by Jewish Bolsheviks. In these stories, female Jewish revolutionaries implement their secret policies using their strong erotic influence to seduce Polish activists. Demonism and evil, as well as the misogynistic attitude of the fin de siècle era were employed to create their portraits. In these female protagonists, one can detect echoes of features associated with such Jewish heroines as Salome, Judith, and Herodias whose portraits were typical of the art and literature of the epoch.","PeriodicalId":37335,"journal":{"name":"Studia Judaica","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Judaica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4467/24500100stj.23.005.18222","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
“And She Stretched Him on a Pin Like a Butterfly...”: Revolutionary Jewish Women in Polish Antisemitic Prose of the First Half of the Twentieth Century After the revolution of 1905, revolutionary Jewish women began to appear among the heroines typical of the antisemitic novels of the nineteenth century. This type of female protagonist can be found in the novels written by Józef Weyssenhoff (Hetmani [The Hetmans]), Rev. Jan Gnatowski (Zły czar [Bad Spell]), and then in the 1930s in the novels by Roman Dmowski (Dziedzictwo [The Heritage]) and Jędrzej Giertych (Zamach [The Coup]). In these narratives, Poland is presented as a victim of manipulation by Jews, Germans, and in the case of the Bad Spell by Jewish Bolsheviks. In these stories, female Jewish revolutionaries implement their secret policies using their strong erotic influence to seduce Polish activists. Demonism and evil, as well as the misogynistic attitude of the fin de siècle era were employed to create their portraits. In these female protagonists, one can detect echoes of features associated with such Jewish heroines as Salome, Judith, and Herodias whose portraits were typical of the art and literature of the epoch.
期刊介绍:
Studia Judaica, as an organ of the Polish Association for Jewish Studies, is open to its members and all other scholars interested in a wide area of Jewish studies, such as Jewish history, literature, linguistics, archeology, culture, religion, and more. We aim to publish articles and reviews illustrating current development in a wide area of Jewish studies as conducted by the members of the Association. Our periodical is open also to non-members on assumption the article deals with an aspect of Polish-Jewish studies. By this we hope to create a representative platform of Jewish studies in and on Poland.