Koncepcija povijesti usmene književnosti Maje Bošković-Stulli ili o nekim problemima književnopovijesnoga usustavljivanja usmene književnosti

Q2 Social Sciences Narodna Umjetnost Pub Date : 2023-12-19 DOI:10.15176/vol60no201
Evelina Rudan
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Abstract

The expression “the history of oral literature” contains certain aporias that are rarely encountered in other expressions where “history” is one of the elements. These aporias are evident in two connections: the one that links history with oral literature, and the one manifest in the term “oral literature”. The latter was previously addressed by W. Ong (1982), while the former primarily pertains to the fact that true history of oral literature is elusive. The resolution of the latter issue revolves around our ability to date it. The only chronologically accessible aspect in the context of oral literature is its recorded form. Thus, every history of oral literature is essentially a history of records and their context, to the extent that the context of the record is attainable. This paper explores the concept of literary history that Maja Bošković-Stulli implicitly or explicitly established in her work Usmena književnost (Oral Literature) (History of Croatian Literature, vol. 1) and the way that this history aligns with her ideas about the literary-historical basis of oral literature.
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马耶-博什科维奇-斯图利的 "文学故事 "概念对 "文学表述 "若干问题的影响
口头文学史 "这一表述包含了某些在以 "历史 "为要素之一的其他表述中很少遇到的缺陷。这些缺憾表现在两个方面:一是将历史与口头文学联系起来,二是 "口头文学 "一词。W. Ong(1982 年)曾论述过后者,而前者主要涉及口头文学的真正历史难以捉摸这一事实。后一个问题的解决围绕着我们确定其年代的能力。就口头文学而言,唯一可追溯时间的方面是其记录形式。因此,每一部口头文学史本质上都是一部记录史及其背景史,只要记录的背景是可获得的。本文探讨了玛雅-博什科维奇-斯图利(Maja Bošković-Stulli)在其著作《Usmana književnost》(《口头文学》)(《克罗地亚文学史》,第 1 卷)中或隐或显地确立的文学史概念,以及这一历史与她关于口头文学的文学史基础的观点相吻合的方式。
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来源期刊
Narodna Umjetnost
Narodna Umjetnost Social Sciences-Cultural Studies
CiteScore
0.50
自引率
0.00%
发文量
9
审稿时长
20 weeks
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