Problems with universal metrics

IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS International Journal of Chinese Linguistics Pub Date : 2023-12-15 DOI:10.1075/ijchl.00016.zha
Bo Zhan
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Abstract

This paper aims to examine the problem of universal metrics developed with English sonnets by analyzing meter in Japanese haiku and Chinese recent-style verse.1 Following Martin (2007), In this study, a haiku is defined as a traditional form of Japanese poetry consisting of three lines, typically with seventeen metrical units per verse arranged in a pattern of five, seven, and five units per line. The data reveals that a system with metrical prominence cannot be applied to Chinese and Japanese metrical verse since linguistic prominence is missing in both languages. The only common feature shared among the metrical systems of the three languages is the existence of a contrast between two types of syllables that belong to opposite classes. However, this contrast only applies in limited situations in the Japanese case. Lastly, instead of a universal metrical structure, the data suggests that the metrical structure in the three languages should be distinguished.
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通用指标的问题
本文旨在通过分析日语俳句和汉语近体诗中的格律,探讨英语十四行诗中的通用格律问题。1 本研究沿用马丁(2007)的观点,将俳句定义为一种传统的日语诗歌形式,由三行组成,每行一般有 17 个格律单位,以每行 5 个、7 个和 5 个单位的模式排列。数据显示,由于汉语和日语的格律诗都缺少语言上的突出,因此格律突出系统无法应用于汉语和日语格律诗。这三种语言的格律系统唯一的共同点是存在两类音节之间的对比,这两类音节属于相反的类别。然而,在日语中,这种对比只适用于有限的情况。最后,数据表明,三种语言的韵律结构应有所区别,而不是一种通用的韵律结构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.60
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0.00%
发文量
6
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