Musical Art Distance Education after Pandemic

M. Strenacikova
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Abstract

Abstract Introduction:The spread of the coronavirus brought necessary changes in education, including the abrupt transfer from classroom instruction to an exclusively online environment. The teachers and pupils/students adapted to the new conditions, and currently, virtual education elements are being implemented in face-to-face teaching to enhance its efficiency. The aim of our research was to monitor distant education in vocational music school environment, describe main difficulties in vocational music online classes, and identify elements of distance learning that can be implemented in music education after pandemics. Methods:The study utilized a mixed research design. The primary method of collecting data was through questionnaires (2020, 2021 and 2022), and analysing essays written by students from the Faculty of Performing Arts at the Academy of Arts in Banská Bystrica, Slovakia (2020). Results:Student respondents strongly believe that while in theoretically oriented courses, online education can replace face-to-face learning, it is no viable option for practically oriented courses in higher music education. More than half of the students do not support the inclusion of elements of distance education in face-to-face teaching. In spite of several challenges, the positive aspects of online education support the implementation of some distance learning elements in face-to-face music education. Discussion: Our findings about vocational music online education do not contradict other surveys (Yurdal, Sahin, Kosan, & Toraman, 2021; Wang, 2023; Al-Mawee, Kwayub, & Gharaibeh, 2021; Bakhov, Opolska, Bogus, Anishchenko, & Biryukova, 2021; Martha, Junus, Santoso, & Suhartanto, 2021). Limitations: The main limitation is the sampling, as it only included participants who had internet access and were willing to participate in the survey. Future studies should encompass more music educational institutions in Slovakia to achieve a larger sample size. Furthermore, in analyzing questionnaires, we did not make difference between participants´ music study fields. Conclusions:Although distance education has shown considerable improvement since 2019 and has undeniable advantages, students pursuing performing arts and composition at the Faculty of Music Arts at the Academy of Arts maintain rather sceptical attitude towards it. They strongly believe that in practical courses, the online teaching cannot fully replace the face-to-face instructions. However, teachers often incorporate certain online teaching elements into their regular classes.
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大流行后的音乐艺术远程教育
摘要 导言:冠状病毒的传播给教育带来了必要的变化,包括从课堂教学突然转向完全的在线环境。教师和学生都适应了新的条件,目前,虚拟教育元素正在面授教学中实施,以提高其效率。我们的研究目的是监测职业音乐学校环境中的远程教育,描述职业音乐在线课堂的主要困难,并确定大流行后可在音乐教育中实施的远程学习要素。研究方法:本研究采用混合研究设计。收集数据的主要方法是问卷调查(2020 年、2021 年和 2022 年)和分析斯洛伐克班斯卡-比斯特里察艺术学院表演艺术系学生撰写的论文(2020 年)。结果:学生受访者强烈认为,虽然在以理论为导向的课程中,在线教育可以取代面授学习,但在以实践为导向的高等音乐教育课程中,在线教育并不是可行的选择。半数以上的学生不支持在面授教学中加入远程教育元素。尽管存在一些挑战,但在线教育的积极方面支持在面授音乐教育中实施一些远程学习元素。讨论:我们关于职业音乐在线教育的研究结果与其他调查并不矛盾(Yurdal, Sahin, Kosan, & Toraman, 2021; Wang, 2023; Al-Mawee, Kwayub, & Gharaibeh, 2021; Bakhov, Opolska, Bogus, Anishchenko, & Biryukova, 2021; Martha, Junus, Santoso, & Suhartanto, 2021)。局限性:主要的局限性在于抽样,因为它只包括可以上网并愿意参与调查的参与者。未来的研究应涵盖斯洛伐克更多的音乐教育机构,以获得更大的样本量。此外,在分析问卷时,我们没有区分参与者的音乐学习领域。结论:尽管远程教育自 2019 年以来有了长足的进步,并具有不可否认的优势,但在艺术学院音乐艺术系学习表演艺术和作曲的学生仍对远程教育持怀疑态度。他们坚信,在实践课程中,网络教学不能完全取代面授指导。不过,教师往往会在常规课程中加入一些在线教学元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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