ARCHAIC KNOSSOS, ARCHAEOLOGICAL NARRATIVES, AND CONSERVATISM IN CRETAN MATERIAL CULTURE

Grace Erny
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Abstract

This study addresses a longstanding historical and archaeological problem at the central Cretan urban centre of Knossos. This is the so-called ‘Archaic gap’, an apparent dearth of evidence for sixth-century BCE material culture across the extensively excavated city. The concept of a pronounced Knossian decline or recession at this time has been reaffirmed in recent years, with widespread repercussions for Cretan archaeology. By reconsidering ceramics from the Royal Road North and Unexplored Mansion excavations, as well as situating these deposits within their urban and regional contexts, I question the epistemological foundations of the Knossian gap and provide new directions for identifying sixth-century Knossian material culture. I propose that the apparent ‘gap’ is a product of several factors: (1) a relative disinterest in imports in sixth-century Knossos, (2) a dispersed, rather than densely nucleated, urban settlement pattern, and (3) a previously unrecognised conservatism in Knossian ceramics, where some of the ‘Orientalising’ styles traditionally dated to the seventh century were retained into the sixth. This phenomenon of conservatism differs in important ways from the ‘restraint’ or ‘austerity’ that has been previously proposed as characteristic of Archaic and Classical Crete.
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古代科诺索斯、考古叙事和克里特物质文化中的保守主义
这项研究解决了克里特岛中部城市中心克诺索斯长期存在的历史和考古问题。这就是所谓的 "太古时期的空白",在这座被广泛发掘的城市中,公元前六世纪的物质文化证据明显匮乏。近年来,克诺索斯在这一时期明显衰落或衰退的概念再次得到证实,并对克里特考古学产生了广泛的影响。通过重新考虑来自皇家北路和未探索大厦发掘的陶瓷,以及将这些沉积物置于其城市和地区背景中,我对克诺西缺口的认识论基础提出了质疑,并为识别六世纪克诺西物质文化提供了新的方向。我认为,表面上的 "空白 "是几个因素共同作用的结果:(1) 六世纪的克诺索斯对进口商品相对不感兴趣,(2) 城市居住模式分散而非密集,(3) 克诺索斯陶瓷中以前未被认识到的保守主义,其中一些传统上属于七世纪的 "东方化 "风格被保留到了六世纪。这种保守主义现象与之前被认为是古风和古典克里特特征的 "克制 "或 "朴素 "有着重要区别。
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SEA BROUGHT ONTO LAND: SEASCAPE IMAGERY IN THE CYCLADIC POTTERY FROM PHYLAKOPI (MELOS) IN THE NATIONAL ARCHAEOLOGICAL MUSEUM, ATHENS ARCHAIC KNOSSOS, ARCHAEOLOGICAL NARRATIVES, AND CONSERVATISM IN CRETAN MATERIAL CULTURE THE EARLY BRONZE AGE CEMETERY AT ÇEŞME–BOYALIK IN COASTAL WESTERN ANATOLIA THE SWORD IS A PLOUGHSHARE? INTERPRETING THE ‘ARMED WOMAN’ IN LATE BRONZE AGE AEGEAN ART MULTIMEDIA AT MINOAN MYRTOS–PYRGOS, CRETE
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