THE SWORD IS A PLOUGHSHARE? INTERPRETING THE ‘ARMED WOMAN’ IN LATE BRONZE AGE AEGEAN ART

Stephen O'Brien
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Abstract

Despite Late Bronze Age Aegean art containing a number of depictions of armed women, unacknowledged preconceptions about gender continue to divert thoughts away from past women exercising violent or coercive power, and thus affecting significantly our understanding of Late Bronze Age Aegean societies in general. This paper examines the depiction of armed women in the art of the Late Bronze Age Aegean and considers how previous generations of researchers have chosen to interpret it. The author then uses recent developments in gender theory and political theory to suggest that the connection of women to power needs to be reassessed.
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剑是犁铧?解读青铜时代晚期爱琴艺术中的 "武装女性
尽管青铜时代晚期的爱琴海艺术中包含大量关于武装女性的描绘,但不为人所知的关于性别的先入之见继续将人们的注意力从过去行使暴力或强制权力的女性身上转移开来,从而严重影响了我们对整个青铜时代晚期爱琴海社会的理解。本文研究了青铜时代晚期爱琴海艺术中对武装女性的描绘,并考虑了前几代研究者是如何选择对其进行解读的。然后,作者利用性别理论和政治理论的最新发展,提出需要重新评估妇女与权力的关系。
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SEA BROUGHT ONTO LAND: SEASCAPE IMAGERY IN THE CYCLADIC POTTERY FROM PHYLAKOPI (MELOS) IN THE NATIONAL ARCHAEOLOGICAL MUSEUM, ATHENS ARCHAIC KNOSSOS, ARCHAEOLOGICAL NARRATIVES, AND CONSERVATISM IN CRETAN MATERIAL CULTURE THE EARLY BRONZE AGE CEMETERY AT ÇEŞME–BOYALIK IN COASTAL WESTERN ANATOLIA THE SWORD IS A PLOUGHSHARE? INTERPRETING THE ‘ARMED WOMAN’ IN LATE BRONZE AGE AEGEAN ART MULTIMEDIA AT MINOAN MYRTOS–PYRGOS, CRETE
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