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SEA BROUGHT ONTO LAND: SEASCAPE IMAGERY IN THE CYCLADIC POTTERY FROM PHYLAKOPI (MELOS) IN THE NATIONAL ARCHAEOLOGICAL MUSEUM, ATHENS 将海洋带入陆地:雅典国家考古博物馆收藏的菲拉科皮(梅洛斯)仙客来陶器中的海景图像
Pub Date : 2024-03-07 DOI: 10.1017/s0068245424000017
Christopher Nuttall
This study examines seascape depictions on pottery, including seafaring and sea creature scenes, from the 1896–9 excavations at Phylakopi on Melos, held in the National Archaeological Museum of Athens. This analysis demonstrates that seascape scenes varied in character through time and were typically associated with vessel shapes connected to the pouring of liquids between Early Cycladic (EC) III and Middle Cycladic late and were later focused on basins. A focus on seafaring is evident in EC III, while later the iconographic focus on the sea concentrates on sea creatures. An iconographic interest in the sea, alongside that of birds and floral depictions, is suggestive of an interest in living forms that inhabit different places to humans (i.e., non-domestic) with different corporeality to humans. This research contributes further to the growing debate on human–animal/plant relationships and ontologies in the Aegean Bronze Age.
本研究考察了雅典国家考古博物馆收藏的 1896-9 年在梅洛斯岛菲拉科皮发掘的陶器上的海景描绘,包括航海和海洋生物场景。这项分析表明,海景图案在不同时期有不同的特征,在基克拉迪早期(EC)III 至基克拉迪中期晚期,海景图案通常与倾倒液体的器皿形状有关,后来则侧重于盆。在基克拉迪早期(EC III),航海图标很明显,而在基克拉迪晚期,海洋图标的重点则集中在海洋生物上。对海洋以及鸟类和花卉的兴趣表明,人们对居住在与人类不同地方(即非居住地)、具有与人类不同肉体的生物形式感兴趣。这项研究进一步推动了关于爱琴海青铜时代人与动物/植物的关系和本体论的讨论。
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引用次数: 0
ARCHAIC KNOSSOS, ARCHAEOLOGICAL NARRATIVES, AND CONSERVATISM IN CRETAN MATERIAL CULTURE 古代科诺索斯、考古叙事和克里特物质文化中的保守主义
Pub Date : 2024-02-21 DOI: 10.1017/s0068245424000029
Grace Erny
This study addresses a longstanding historical and archaeological problem at the central Cretan urban centre of Knossos. This is the so-called ‘Archaic gap’, an apparent dearth of evidence for sixth-century BCE material culture across the extensively excavated city. The concept of a pronounced Knossian decline or recession at this time has been reaffirmed in recent years, with widespread repercussions for Cretan archaeology. By reconsidering ceramics from the Royal Road North and Unexplored Mansion excavations, as well as situating these deposits within their urban and regional contexts, I question the epistemological foundations of the Knossian gap and provide new directions for identifying sixth-century Knossian material culture. I propose that the apparent ‘gap’ is a product of several factors: (1) a relative disinterest in imports in sixth-century Knossos, (2) a dispersed, rather than densely nucleated, urban settlement pattern, and (3) a previously unrecognised conservatism in Knossian ceramics, where some of the ‘Orientalising’ styles traditionally dated to the seventh century were retained into the sixth. This phenomenon of conservatism differs in important ways from the ‘restraint’ or ‘austerity’ that has been previously proposed as characteristic of Archaic and Classical Crete.
这项研究解决了克里特岛中部城市中心克诺索斯长期存在的历史和考古问题。这就是所谓的 "太古时期的空白",在这座被广泛发掘的城市中,公元前六世纪的物质文化证据明显匮乏。近年来,克诺索斯在这一时期明显衰落或衰退的概念再次得到证实,并对克里特考古学产生了广泛的影响。通过重新考虑来自皇家北路和未探索大厦发掘的陶瓷,以及将这些沉积物置于其城市和地区背景中,我对克诺西缺口的认识论基础提出了质疑,并为识别六世纪克诺西物质文化提供了新的方向。我认为,表面上的 "空白 "是几个因素共同作用的结果:(1) 六世纪的克诺索斯对进口商品相对不感兴趣,(2) 城市居住模式分散而非密集,(3) 克诺索斯陶瓷中以前未被认识到的保守主义,其中一些传统上属于七世纪的 "东方化 "风格被保留到了六世纪。这种保守主义现象与之前被认为是古风和古典克里特特征的 "克制 "或 "朴素 "有着重要区别。
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引用次数: 0
MULTIMEDIA AT MINOAN MYRTOS–PYRGOS, CRETE 克里特米诺斯-皮尔戈斯的多媒体技术
Pub Date : 2024-01-26 DOI: 10.1017/s0068245423000114
Judith Weingarten, Silvia Ferrara, Gerald Cadogan
The Minoan settlement of Myrtos–Pyrgos on the south coast of Crete has produced five seals (and one unfinished seal), 11 seal impressions on clay vessels, two roundels and one nodulus, as well as two Linear A tablets and two inscriptions on clay vessels. Dating between Early Minoan II and Late Minoan IB, these documents form valuable evidence for the development of sealing, marking and writing practices at a small but important rural settlement, including a penchant for using antique seals for stamping jars. They contribute too to understanding the regional hierarchical and, probably, political cultures of Crete throughout this long period, especially in the late Protopalatial phase of Middle Minoan IIB, when there seems to have been a special relationship with Malia on the north coast, and again in Late Minoan IB, when there was a relationship with Knossos. Finally, the paper discusses a pithos fragment from Tel Haror in Israel, which appears to have an inscription in Cretan Hieroglyphic or Linear A, and may well have been a product of Myrtos or nearby.
克里特岛南海岸的米诺斯人聚居地米尔托斯-皮尔戈斯出土了五枚印章(和一枚未完成的印章)、11 个粘土器皿上的印模、两个圆环和一个钮,以及两块 A 线形石碑和两个粘土器皿上的铭文。这些文献的年代介于早期米诺斯二世和晚期米诺斯一世之间,是一个小型但重要的农村定居点发展印章、标记和书写习俗的宝贵证据,包括使用古印章在罐子上盖章的嗜好。这些文献还有助于了解克里特岛在这一漫长时期的地区等级文化,可能还有政治文化,特别是在米诺斯 IIB 中期的原住民阶段晚期,当时似乎与北海岸的马利亚有特殊关系,在米诺斯 IB 晚期又与克诺索斯有关系。最后,本文讨论了以色列泰勒哈罗尔出土的一块皮索斯碎片,该碎片上似乎刻有克里特象形文字或 A 线形文字,很可能是米尔托斯或附近地区的产物。
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引用次数: 0
THE EARLY BRONZE AGE CEMETERY AT ÇEŞME–BOYALIK IN COASTAL WESTERN ANATOLIA 安纳托利亚西部沿海的切什梅-博亚里克早期青铜时代墓地
Pub Date : 2024-01-26 DOI: 10.1017/s0068245423000102
Vasıf Şahoğlu
Early Bronze Age burial practices in western Anatolia have been much discussed, and the general developmental stages of these traditions have been defined by scholars over the course of years. The first half of the third millennium sees the use of a variety of grave types, namely, stone cist, pithos and simple pit burials; meanwhile, during the second half of the millennium, pithos burials seem to predominate. Short-term rescue excavations at Boyalık, in Çeşme District, Izmir Province, reveal the presence of a new type of burial tradition in coastal western Anatolia dating to the middle of the third millennium BC. The cemetery revealed the use of rock-cut chamber tombs for the first time in this region. This paper presents the unique graves and their finds from Boyalık cemetery and discusses the implications of this new tradition for the third-millennium archaeology of the wider Aegeo-Anatolian region.
安纳托利亚西部青铜时代早期的墓葬习俗已被广泛讨论,多年来,学者们已确定了这些传统的一般发展阶段。在第三个千年的前半期,使用了多种墓葬类型,即石棺葬、坑葬和简易坑葬;而在第二个千年的后半期,坑葬似乎占主导地位。在伊兹密尔省 Çeşme 地区 Boyalık 进行的短期抢救性发掘揭示了安纳托利亚西部沿海地区公元前第三个千年中期的一种新型墓葬传统。该墓地首次揭示了该地区使用石室墓葬的情况。本文介绍了博亚勒克墓地独特的坟墓及其发现,并讨论了这种新传统对更广泛的爱琴海-安纳托利亚地区第三个千年考古学的影响。
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引用次数: 0
THE SWORD IS A PLOUGHSHARE? INTERPRETING THE ‘ARMED WOMAN’ IN LATE BRONZE AGE AEGEAN ART 剑是犁铧?解读青铜时代晚期爱琴艺术中的 "武装女性
Pub Date : 2024-01-26 DOI: 10.1017/s0068245423000126
Stephen O'Brien
Despite Late Bronze Age Aegean art containing a number of depictions of armed women, unacknowledged preconceptions about gender continue to divert thoughts away from past women exercising violent or coercive power, and thus affecting significantly our understanding of Late Bronze Age Aegean societies in general. This paper examines the depiction of armed women in the art of the Late Bronze Age Aegean and considers how previous generations of researchers have chosen to interpret it. The author then uses recent developments in gender theory and political theory to suggest that the connection of women to power needs to be reassessed.
尽管青铜时代晚期的爱琴海艺术中包含大量关于武装女性的描绘,但不为人所知的关于性别的先入之见继续将人们的注意力从过去行使暴力或强制权力的女性身上转移开来,从而严重影响了我们对整个青铜时代晚期爱琴海社会的理解。本文研究了青铜时代晚期爱琴海艺术中对武装女性的描绘,并考虑了前几代研究者是如何选择对其进行解读的。然后,作者利用性别理论和政治理论的最新发展,提出需要重新评估妇女与权力的关系。
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引用次数: 0
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The Annual of the British School at Athens
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