Alice Marion-Ferrand, Adèle Mignard Mocellin, Jean Vivier
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Abstract
For its 2022–23 season, the National Dramatic Centre of Montpellier put Shakespeare in the spotlight by programming no less than four productions based on his plays. This article aims to review these productions and analyse how they came together during this theatrical season to think contemporary issues through Shakespeare and to explore what it means to stage Shakespeare today.
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