The artfulness of historical playwriting in Richard III: Shakespeare and English Tacitism

Sonia Massai
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Abstract

Art seems to be especially fruitful as a starting point for a re-reading of Shakespeare's Richard III as an example of an English history play that is more commonly understood in terms of nature or politics. Richard's reputation for being unnatural, that is physically and morally deformed, certainly makes nature a productive line of enquiry. Politics is also immediately relevant to a play about Richard III, whose demise marked the rise of the Tudor dynasty. However, I have chosen to consider the artfulness of Richard III to show how Tacitism informed Shakespeare's approach to historical playwriting.
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理查三世》中历史剧写作的艺术性:莎士比亚与英国塔西佗主义
莎士比亚的《理查三世》是一部英国历史剧,人们通常从自然或政治的角度来理解这部剧,而艺术作为重新解读这部剧的起点,似乎尤其富有成效。理查德的 "非自然 "之名,即身体和道德上的畸形,无疑使自然成为一个富有成效的研究方向。政治与理查三世的戏剧也有直接关系,理查三世的灭亡标志着都铎王朝的崛起。不过,我还是选择考虑《理查三世》的艺术性,以说明塔西佗主义如何影响了莎士比亚的历史剧创作方法。
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Utopian corporeality and movement in William Shakespeare's The Rape of Lucrece ‘Moving grove’: Dionysian rites of passage in Shakespeare's A Midsummer Night's Dream and Macbeth The artfulness of historical playwriting in Richard III: Shakespeare and English Tacitism Editorial introduction: ‘The art itself is nature’: Shakespeare’s nature | art | politics Artifice and animality in The Tempest: Imagining Caliban
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