Artifice and animality in The Tempest: Imagining Caliban

Andreas Höfele
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Abstract

The article discusses William Shakespeare's Caliban in the context of early modern knowledge culture and its representation of the ‘monstrous’ in wonder cabinets and works of natural history. According to Stephano, Caliban is ‘a present for any emperor’ (2.2.69). This connects him to the real-life case of Pedro Gonsalvus, who became just such a ‘present’ given to the French king in 1547. His face and body overgrown with hair, Gonsalvus and subsequently his equally hirsute children became marvels at several European courts. Their case shows the same intermingling of artifice and animality that went into the creation of Caliban and shaped his afterlife in the theatre.
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暴风雨》中的矫揉造作与栩栩如生:想象中的卡利班
文章结合早期现代知识文化及其在奇异柜和自然史作品中对 "怪物 "的表现,讨论了威廉-莎士比亚的《卡里班》。根据斯蒂芬诺的说法,卡力本是 "送给任何皇帝的礼物"(2.2.69)。这将他与现实生活中的佩德罗-贡萨尔维斯(Pedro Gonsalvus)联系起来,后者正是 1547 年送给法国国王的 "礼物"。贡萨尔维斯的脸和身体都长满了毛发,他和他同样多毛的孩子们后来成为欧洲多个宫廷的奇观。他们的情况表明,在创作《卡里班》和塑造他在戏剧中的形象时,同样也出现了矫揉造作和栩栩如生的情况。
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