Indigenous Internationalism and the Art of Recognition: A Soviet Trace on a Global Stage

IF 0.4 3区 文学 0 LITERATURE COMPARATIVE LITERATURE STUDIES Pub Date : 2024-05-01 DOI:10.5325/complitstudies.61.2.0221
Naomi Caffee
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Abstract

This article explores the contributions of Soviet writers to global discourses of Indigenous rights. The author focuses on the work of three writers, Yeremei Aipin (Khanty, b. 1948), Vladimir Sangi (Nivkh, b. 1935), and Yury Vella (Nenets, 1948–2013), as they entered into transnational Indigenous movements and navigated a rapidly changing political landscape in the final years of the Soviet Union. The author argues that they engaged in a complex “art of recognition,” working across genres and modalities in order to reckon with legacies of colonialism and usher in new visions of identity and political sovereignty. This approach highlights the Soviet Union as a locus for international congresses and solidarity movements, such as the Nevada-Semipalatinsk Antinuclear Movement, the Global Forum of Spiritual and Parliamentary Leaders, and the 1990 Sacred Run for Land and Life, led by American Indian Movement cofounder Dennis Banks. Ultimately, an Indigenous-centered approach to the end of the Cold War provides a counterbalance to prevailing narratives of this era, which cast the ascendance of a Western-dominated capitalist world order as an inevitable conclusion.
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本土国际主义与承认的艺术:全球舞台上的苏联痕迹
本文探讨了苏联作家对全球土著权利论述的贡献。作者重点研究了三位作家叶列梅-艾平(Yeremei Aipin,汉蒂人,1948 年生)、弗拉基米尔-桑吉(Vladimir Sangi,尼夫赫人,1935 年生)和尤里-维拉(Yury Vella,涅涅茨人,1948-2013 年)的作品,他们在苏联最后几年参与了跨国土著运动,并驾驭了迅速变化的政治格局。作者认为,他们从事的是一种复杂的 "承认的艺术",他们的工作跨越了各种体裁和模式,目的是对殖民主义的遗留问题进行反思,并为身份认同和政治主权带来新的愿景。这种方法强调苏联是国际大会和团结运动的中心,如内华达-塞米巴拉金斯克反核运动、全球精神和议会领袖论坛,以及 1990 年由美国印第安人运动共同创始人丹尼斯-班克斯领导的 "土地与生命的神圣奔跑"。最终,以原住民为中心的冷战结束方式为这一时代的主流叙事提供了一种平衡,这种叙事将西方主导的资本主义世界秩序的崛起视为不可避免的结局。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: Comparative Literature Studies publishes comparative articles in literature and culture, critical theory, and cultural and literary relations within and beyond the Western tradition. It brings you the work of eminent critics, scholars, theorists, and literary historians, whose essays range across the rich traditions of Africa, Asia, Europe, and the Americas. One of its regular issues every two years concerns East-West literary and cultural relations and is edited in conjunction with members of the College of International Relations at Nihon University. Each issue includes reviews of significant books by prominent comparatists.
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