{"title":"DISORIENTING EASTERN EUROPE: JUDITH HERMANN'S AFFECTIVE GEOGRAPHY","authors":"Natasha Gordinsky","doi":"10.1111/glal.12428","DOIUrl":null,"url":null,"abstract":"<p>This article presents a geocritical interpretation (based on the methodological approach developed by Robert Tally) of two of Judith Hermann's short stories – ‘Diesseits der Oder’ and ‘Osten’. Written almost twenty years apart, the first of these takes place amidst the Oderbruch, whilst the second comprises Hermann's only literary text about a journey to Ukraine. Drawing on interdisciplinary spatial research, I offer a close reading of both stories as they stage, in different ways, an affective experience of East European space. Moreover, I argue that through her critical investigation of the ‘East’ as an imagined and real space, Hermann emerges as a geocritic herself. Drawing on Sara Ahmed's queer phenomenology and Hans Ulrich Gumbrecht's notion of latency in post-war culture, I contend that ‘Diesseits der Oder’ and ‘Osten’ are constituted as poetic texts that foreground disorientation through the mode of latency as a crucial phenomenological device. Once brought together into their historical and geopolitical contexts and explored through the aesthetic prism of representation of the ‘East’, Hermann's short stories are seen to advance a radical critique of perceptions of Eastern Europe in the German post-war literary and geographic imagination.</p>","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12428","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"GERMAN LIFE AND LETTERS","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/glal.12428","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
引用次数: 0
Abstract
This article presents a geocritical interpretation (based on the methodological approach developed by Robert Tally) of two of Judith Hermann's short stories – ‘Diesseits der Oder’ and ‘Osten’. Written almost twenty years apart, the first of these takes place amidst the Oderbruch, whilst the second comprises Hermann's only literary text about a journey to Ukraine. Drawing on interdisciplinary spatial research, I offer a close reading of both stories as they stage, in different ways, an affective experience of East European space. Moreover, I argue that through her critical investigation of the ‘East’ as an imagined and real space, Hermann emerges as a geocritic herself. Drawing on Sara Ahmed's queer phenomenology and Hans Ulrich Gumbrecht's notion of latency in post-war culture, I contend that ‘Diesseits der Oder’ and ‘Osten’ are constituted as poetic texts that foreground disorientation through the mode of latency as a crucial phenomenological device. Once brought together into their historical and geopolitical contexts and explored through the aesthetic prism of representation of the ‘East’, Hermann's short stories are seen to advance a radical critique of perceptions of Eastern Europe in the German post-war literary and geographic imagination.
期刊介绍:
- German Life and Letters was founded in 1936 by the distinguished British Germanist L.A. Willoughby and the publisher Basil Blackwell. In its first number the journal described its aim as "engagement with German culture in its widest aspects: its history, literature, religion, music, art; with German life in general". German LIfe and Letters has continued over the decades to observe its founding principles of providing an international and interdisciplinary forum for scholarly analysis of German culture past and present. The journal appears four times a year, and a typical number contains around eight articles of between six and eight thousand words each.