‘Influencers are just mannequins’: Decoding teenagers’ perception about advertising content creators

IF 1.8 2区 文学 Q2 COMMUNICATION European Journal of Communication Pub Date : 2024-08-14 DOI:10.1177/02673231241272021
Arantxa Vizcaíno-Verdú, Beatriz Feijoo, Charo Sádaba
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Abstract

This study investigates teenagers’ skepticism toward influencer trust and its implications for their perceptions of and receptiveness to social media advertising. Employing a mixed-methods approach, we surveyed 1055 teenagers to gauge their perceptions of influencers’ advertising intensity. Additionally, qualitative focus groups involving 55 participants explored a range of perceptions, addressing their distrust toward influencers and the breakdown of parasocial relationships with these profiles. Findings suggest that teenagers perceive influencers as mannequins aimed at entertainment and attention capture, lacking humanity and credibility as advertising vessels. This perception influences consumption habits, favoring advertising intensity over authenticity. The emergence of influencers as vacuous entities underscores the tangible repercussions associated with monetizing their image over human value.
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影响者只是人体模特":解密青少年对广告内容创作者的看法
本研究调查了青少年对影响者信任的怀疑态度及其对社交媒体广告的看法和接受程度的影响。我们采用混合方法对 1055 名青少年进行了调查,以了解他们对影响者广告强度的看法。此外,有 55 名参与者参加的定性焦点小组探讨了一系列看法,解决了他们对有影响力的人的不信任以及与这些人的寄生社会关系的破裂问题。研究结果表明,青少年认为影响者是以娱乐和吸引注意力为目的的人体模型,作为广告媒介缺乏人性和可信度。这种看法影响了消费习惯,使他们更倾向于广告强度而非真实性。有影响力的人作为空洞的实体出现,凸显了与他们的形象货币化而非人类价值相关的有形反响。
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来源期刊
CiteScore
6.40
自引率
0.00%
发文量
86
期刊介绍: The European Journal of Communication is interested in communication research and theory in all its diversity, and seeks to reflect and encourage the variety of intellectual traditions in the field and to promote dialogue between them. The Journal reflects the international character of communication scholarship and is addressed to a global scholarly community. Rigorously peer-reviewed, it publishes the best of research on communications and media, either by European scholars or of particular interest to them.
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