Impact of cross-modal priming using emotional music on facial emotion recognition among autistic children

IF 1.6 3区心理学 0 MUSIC Psychology of Music Pub Date : 2025-02-13 DOI:10.1177/03057356251315661

Fengrui Xu, Xiaoyue Ding, Gong-Liang Zhang, Dianzhi Liu, Jingyi Liu, Deming Shu

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引用次数: 0

Abstract

To examine the impact of music as a cross-modal prime on facial emotion recognition ability in autistic children, this study compares the priming effect of music with that of faces as an intramodal prime and nonverbal sounds as the same cross-modal prime. The response time and accuracy of facial emotion recognition (happy and sad) were compared among 21 neurotypical children and 17 autistic children under various priming stimuli. A data analysis revealed that autistic children exhibited worse recognition of facial emotional expressions and demonstrated longer reaction time than neurotypical children. Unlike the other two stimuli (facial expressions and nonverbal sounds), music as a cross-modal prime resulted in slightly higher response accuracy for emotionally congruent conditions compared with emotionally incongruent conditions among autistic children. Furthermore, reaction time was significantly prolonged under emotionally congruent conditions than under emotionally incongruent conditions. This suggests that autistic children demonstrate a greater propensity to allocate additional time to improve the accuracy of their judgments under congruent conditions compared with incongruent conditions. Therefore, music intervention has significant potential for supporting autistic children to empathize with faces by playing emotionally congruent music and improving their facial emotion recognition abilities.

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来源期刊

Psychology of Music Multiple-

CiteScore

4.00

自引率

17.60%

发文量

期刊介绍： Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.