Toward a Feminine-Matrixial Understanding of Modernity: Subjectivity-as-World-Fabric, the Ecology of Love, and the Temporality of Just Now

IF 0.4 3区 文学 0 LITERATURE COMPARATIVE LITERATURE STUDIES Pub Date : 2023-08-01 DOI:10.5325/complitstudies.60.3.0561
Christoph Solstreif-Pirker
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Abstract

abstract:Building on the definition of contemporary modernity as an "ecology of fear," this article formulates a counter-hegemonic concept of modernity that is not oriented toward a future end but toward the intensities of the present moment—referring to the Latin root of "modernity," which means "now," "just now," or "presently." The article asks whether we can ever grasp the event of "just now" and, if so, what new paradigms of thought and action might emerge from this particular condition. For this venture, the article calls on the Matrixial Theory developed by feminist psychoanalyst, philosopher, and artist Bracha L. Ettinger since the 1980s. With Ettinger's theory, the modernist narratives of fear, anxiety, death, and sacrifice—as put forward by Sigmund Freud and Martin Heidegger—are redefined from a specific transitive perspective, as are the processes of subjectivation and sociopolitical practices of the (Post-) Anthropocene. This article thus serves as an innovative call not to put aside modernity but to become modern in the first place—to initiate an "ecology of love" and start caring for momentary and compassionate forms of thought and action beyond phallocratic paradigms.
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走向女性对现代性的母体理解:作为世界结构的主体性、爱的生态性和当下的暂时性
摘要:在当代现代性定义为“恐惧生态”的基础上,本文提出了一个反霸权的现代性概念,它不是面向未来的目的,而是面向当下的强度——指的是“现代性”的拉丁词根,意思是“现在”、“刚刚”或“现在”。这篇文章询问我们是否能够理解“刚刚”的事件,如果是这样,在这种特殊的情况下可能会出现什么新的思维和行动范式。20世纪80年代以来的Ettinger。根据埃廷格的理论,西格蒙德·弗洛伊德和马丁·海德格尔提出的关于恐惧、焦虑、死亡和牺牲的现代主义叙事,以及(后)人类世的主观主义和社会政治实践过程,都是从一个特定的传递视角重新定义的。因此,这篇文章发出了一个创新的呼吁,不要抛开现代性,而是首先要成为现代性——开创一种“爱的生态”,并开始关注超越阳具主义范式的短暂而富有同情心的思想和行动形式。
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来源期刊
CiteScore
0.50
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0.00%
发文量
33
期刊介绍: Comparative Literature Studies publishes comparative articles in literature and culture, critical theory, and cultural and literary relations within and beyond the Western tradition. It brings you the work of eminent critics, scholars, theorists, and literary historians, whose essays range across the rich traditions of Africa, Asia, Europe, and the Americas. One of its regular issues every two years concerns East-West literary and cultural relations and is edited in conjunction with members of the College of International Relations at Nihon University. Each issue includes reviews of significant books by prominent comparatists.
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