Entangled Speech: Semiotic sympoiesis for the posthuman commons

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Technoetic Arts Pub Date : 2021-06-01 DOI:10.1386/tear_00063_1
K. Spiess
{"title":"Entangled Speech: Semiotic sympoiesis for the posthuman commons","authors":"K. Spiess","doi":"10.1386/tear_00063_1","DOIUrl":null,"url":null,"abstract":"In our performance Entangled Speech, we connect the integration of microbial agency into a new complex ‘common good’ with the shared values of language. Drawing on a posthuman commons we aim for a hybrid language that not only processes formal symbols but also interacts\n with the microbes in the speaker’s mouth. We argue that the metaphors historically used to frame the relationship between microbiomes and speech cannot account for the co-creative material relationship between human speech and posthuman microbial, environmental and biotechnological needs.\n In our performances, first we harvest sensitized microbes from a speaker’s mouth who had repeated those phonemes, which lead to a deviation of pH of saliva. This makes the microbes sensitive for the further processing: via a spectrogram, phonemes repetitively spoken by the audience drive\n pumps, which add pheromones to the microbes, the pheromones, which then are faded out. In the microbes, for some replication cycles, an ecological adaptation to the individual phonemes persists, which ‐ in our definition ‐ affirms some phonemes as ecological and others to be\n deleted, thereby changing the alphabetical order of the input word. Although parts of the process are digitally animated, the major parts develop in real time. We propose ‘microbial speech’ as a category beyond semantic meaning, with ecological qualities such as a transcorporeal\n mattering between words and the body. We aim at a language becoming a biological state in order to protect its own ecology. We propose a more entangled mode of microbes existing in common with language, affirming posthumanist transversal relations of all living and non-living matter.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Technoetic Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/tear_00063_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

Abstract

In our performance Entangled Speech, we connect the integration of microbial agency into a new complex ‘common good’ with the shared values of language. Drawing on a posthuman commons we aim for a hybrid language that not only processes formal symbols but also interacts with the microbes in the speaker’s mouth. We argue that the metaphors historically used to frame the relationship between microbiomes and speech cannot account for the co-creative material relationship between human speech and posthuman microbial, environmental and biotechnological needs. In our performances, first we harvest sensitized microbes from a speaker’s mouth who had repeated those phonemes, which lead to a deviation of pH of saliva. This makes the microbes sensitive for the further processing: via a spectrogram, phonemes repetitively spoken by the audience drive pumps, which add pheromones to the microbes, the pheromones, which then are faded out. In the microbes, for some replication cycles, an ecological adaptation to the individual phonemes persists, which ‐ in our definition ‐ affirms some phonemes as ecological and others to be deleted, thereby changing the alphabetical order of the input word. Although parts of the process are digitally animated, the major parts develop in real time. We propose ‘microbial speech’ as a category beyond semantic meaning, with ecological qualities such as a transcorporeal mattering between words and the body. We aim at a language becoming a biological state in order to protect its own ecology. We propose a more entangled mode of microbes existing in common with language, affirming posthumanist transversal relations of all living and non-living matter.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
纠缠的话语:后人类公域的符号学共象
在我们的表演《纠缠的演讲》中,我们将微生物代理的整合与语言的共同价值观联系起来,成为一种新的复杂的“共同利益”。利用后人类的共同点,我们的目标是一种混合语言,它不仅处理形式符号,而且与说话者口腔中的微生物相互作用。我们认为,历史上用于构建微生物组和言语之间关系的隐喻无法解释人类言语与人类后微生物、环境和生物技术需求之间的共同创造物质关系。在我们的表演中,首先,我们从重复这些音素的演讲者嘴里采集致敏微生物,这会导致唾液的pH值发生偏差。这使得微生物对进一步的处理很敏感:通过声谱图,观众反复说出的音素驱动泵,向微生物添加信息素,信息素,然后逐渐消失。在微生物中,在一些复制周期中,对单个音素的生态适应持续存在,在我们的定义中,这肯定了一些音素是生态的,而另一些音素则被删除,从而改变了输入词的字母顺序。尽管这个过程的某些部分是数字动画的,但主要部分是实时开发的。我们提出“微生物语音”是一个超越语义的类别,具有生态性质,如单词和身体之间的跨身体物质。我们的目标是使一种语言成为一种生物状态,以保护其自身的生态。我们提出了一种与语言共同存在的更纠缠的微生物模式,肯定了所有生物和非生物的后人文主义横向关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Technoetic Arts
Technoetic Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
11
期刊最新文献
More than human: Analysing Edward Weyland as a post-human self-humanizing vehicle in Suzy McKee Charnas’s The Vampire Tapestry ‘Shadowy objects in test tubes’: A biopolitical critique of Kazuo Ishiguro’s Never Let Me Go Re-conceptualizing the villain: Todd Phillips’s Joker through the lens of Vedic hermeneutics The Last Recreational Land VR experience: A non-naturalistic artistic visualization practice with emerging technologies Beyond markets: The DADA case for NFTs in art
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1