Family Microhistories and the Social History of Twentieth-Century Hungary: Biri mama deportálási emlékirata [‘The Deportation Memoir of Mama Biri’] (1949) and the Kieselbach Series, Sorsfordulók [‘Turns of Fate’]
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引用次数: 1
Abstract
The deportation memoir of Biri mama (Irén Reményi) is the third publication byTamás Kieselbach, of a book series he created, Sorsfordulók: a 20. századi Magyarország drámai pillantai [‘Turns of Fate: The Dramatic Moments of Twentieth-Century Hungary’], in which his aim was to illustrate the four historical turning points of the twentieth century: 1919-1920, the Holocaust, 1956, and 1989. My interest in studying Reményi's work is, first, and most briefly, to locate its role in the Kieselbach series. Second, I want to to provide the memoir with richer context, specifically with the aid of later documentation discussing Bergen-Belsen, the Ungarnlager, and the Celle DP camp. Third, I have aimed to create a kind of narrative reconstruction from fragments that I have been able to unearth of her family history to offer a deeper understanding of her family's complex private history as a microhistory that becomes part of macro or public history in the first half of the tortured twentieth century history of Hungary.
二十世纪匈牙利的家庭微观史和社会史:Biri mama deportálási emlékirata[《Biri mama的驱逐回忆录》](1949年)和Kieselbach系列,Sorsfodulók[《命运的转折》]
Biri mama(Irén Reményi)的驱逐回忆录是Tamás Kieselbach创作的系列丛书《Sorsfodulók:a 20》的第三本出版物。századi Magyaország drámai pillantai[《命运的转折:二十世纪匈牙利的戏剧性时刻》],他的目的是说明二十世纪的四个历史转折点:1919-1920年、大屠杀、1956年和1989年。我对研究雷姆尼作品的兴趣首先也是最简短的一点是,定位它在基塞尔巴赫系列中的角色。其次,我想为这本回忆录提供更丰富的背景,特别是借助后来讨论卑尔根-贝尔森、昂加尔拉格和策勒DP营地的文件。第三,我的目标是从她家族史的碎片中创造一种叙事重建,以更深入地理解她家族复杂的私人历史,将其作为一部微观历史,成为20世纪匈牙利备受折磨的上半叶宏观或公共历史的一部分。