“That Thin Red Line”: Memory and Yugonostalgia among the Italian Minority in Istria

Q2 Social Sciences Narodna Umjetnost Pub Date : 2018-06-21 DOI:10.15176/VOL55NO107
Roberta Altin, C. Minca
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引用次数: 1

Abstract

This article examines how the documentary Vedo Rosso may be seen as a form of Yugonostalgia on the part of the Italian minority living in Rovinj, Croatia. Based on a textual analysis and video elicitation, this project explores the multiple and somewhat ambivalent ways in which this specifi c community has reacted to a visual reconstruction of the 1980s under socialism. A combination of interviews conducted by the authors and interviews presented in the documentary enables the reconstruction of a memoryscape infl uenced by intragenerational factors, as well as by the broader geopolitical changes that have transformed, at several times and in several ways, the Istrian Peninsula and the maritime town of Rovinj in particular. Deeper links between memory and nostalgia were the subject of detailed analysis in what is now vast and rich interdisciplinary literature. This article is an attempt to contribute to the existing debates on Yugonostalgia, in the sense that it shows that Yugonostalgia, as a form of memorialization, represents a complex and articulate way to interpret a mutable and uncertain present on the part of a relatively marginal ethno-linguistic minority in contemporary Croatia.
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“那条细细的红线”:伊斯特拉的意大利少数民族的记忆和怀旧
本文探讨纪录片Vedo Rosso如何被视为生活在克罗地亚罗维尼的意大利少数民族的一种怀旧形式。基于文本分析和视频启发,该项目探索了这个特定社区对20世纪80年代社会主义下的视觉重建的多重和有些矛盾的方式。作者进行的采访和纪录片中提供的采访相结合,能够重建受代际因素影响的记忆,以及多次以多种方式改变伊斯特拉半岛,特别是海上城镇罗维尼的更广泛的地缘政治变化的影响。记忆和怀旧之间更深层次的联系是现在大量丰富的跨学科文献中详细分析的主题。这篇文章试图对关于Yugonostalgia的现有争论做出贡献,因为它表明Yugonostalgia作为一种纪念形式,代表了一种复杂而清晰的方式来解释当代克罗地亚相对边缘的民族语言少数群体的可变和不确定的存在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Narodna Umjetnost
Narodna Umjetnost Social Sciences-Cultural Studies
CiteScore
0.50
自引率
0.00%
发文量
9
审稿时长
20 weeks
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