Narrative Ethics of Post-Modern Visual Culture between Chinese “Diors Series” and Western “Loser Series” in Comparative Perspective

IF 0.2 0 LITERATURE Interlitteraria Pub Date : 2019-08-13 DOI:10.12697/IL.2019.24.1.15
Shaomin Zheng
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Abstract

The main characteristics of the post-modern culture such as counterculture, non-conformism, virtualization, fragmentation, mass culture, business culture and irrationalism etc., decide the post-modernity of visual culture. “Film”, as an indispensable element of visual culture, has a narrative ethics that can be used for an interpretation of ethical orientation and ethical values in post-modern visual culture. This article, by comparing “Diors image” in Chinese Diors series with “loser image” in western loser series, the typical post-modern visual image, takes the post-modern context as the focal point and makes a further study of “Diors culture” or “loser culture”, which is formed in the phenomenon of post-modern culture, and thus explores narrative ethics and ethical values in post-modern visual culture.
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中国“迪奥系列”与西方“失败者系列”的后现代视觉文化叙事伦理比较
后现代文化的主要特征,如反主流文化、不墨守成规、虚拟化、碎片化、大众文化、商业文化和非理性主义等,决定了视觉文化的后现代性。“电影”作为视觉文化中不可或缺的元素,具有叙事伦理,可以用来解读后现代视觉文化中的伦理取向和伦理价值。本文通过对中国迪奥系列中的“迪奥形象”与西方失败者系列中典型的后现代视觉形象“失败者形象”的比较,以后现代语境为切入点,对后现代文化现象中形成的“迪奥文化”或“失败者文化”进行了深入的研究,从而探索后现代视觉文化中的叙事伦理与伦理价值。
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来源期刊
Interlitteraria
Interlitteraria LITERATURE-
自引率
0.00%
发文量
10
审稿时长
20 weeks
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