Reforma żydowskiej muzyki liturgicznej w Galicji na przełomie XIX i XX wieku

Abstract

THE REFORM OF JEWISH LITURGICAL MUSIC IN GALICIA AT THE TURN OF THE NINETEENTH AND TWENTIETH CENTURIES The article presents the issue of the reform of Jewish liturgical music in Galicia at the turn of the nineteenth and twentieth centuries. Its main question concerns the essence of the reform, the novelty of which relied rather on the introduction of a modern way of performance of traditional music than replacing it with a new repertoire. The text discusses the role of new music performers such as cantors, choirs and organists in Galician Temples. It draws attention to the aesthetic changes of synagogue music and its ideological foundations. It also presents the attitude of progressive Galician Jews toward the repertoire of West European synagogues as well as to the music composed by local orthodox cantors, such as Baruch Schorr, Baruch Kinstler or Eliezer Goldberg. As the analysis of the historical material shows, their musical tastes and strong attachment to tradition tied them more closely to the Galician orthodoxy than to the German reform.