Prerequisites for the emergence of the artistic movement of Tobaism in the fine arts of Kazakhstan

IF 0.1 Q4 MULTIDISCIPLINARY SCIENCES Revista Innovaciencia Pub Date : 2022-12-01 DOI:10.15649/2346075x.2972
S. Turganbayeva, Yerkezhan Omarova, Saule Nurbay, Svetlana Kirgizbekova
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引用次数: 1

Abstract

Introduction: Based on the archetypal approach the authors of the article consider the preconditions for the emergence of one of the forms of ancient religion totemism and its reflection in the current tobaism at the present stage in the fine arts of Kazakhstan. The authors show that the development of totemism in the process of historical dynamics lines up in a sequential chain: the origin of religion - a complex of beliefs and rituals - totemism - religious and social system - remnants of totemism preserved in modern religions - transformations of totems images in modern art. Describes the features of artistic imagery of the paintings of the artist Kozhagulov Tokkozhi, dedicated to totem animals. Materials and Methods: This methodology implies a deep knowledge of the history of totemism, the study of its ancient origins based on the principle of meaningful continuity of cultural and historical experience. Results and Discussion We are talking about the recreation of the cult of totems as an experience of reproduction of ethno-cultural identity in modern conditions. Totemism is analyzed as a religious-social system in the space of modern culture, introduced into it based on a special methodology of recreation. Conclusions: The authors conclude that the artistic current of tobaism reflects the core of the spiritually forming creative method of the artist, in which beliefs and myths of our distant ancestors have found a reality, reflecting the system of spiritual, aesthetic and artistic values of the Kazakh ethnos. To substantiate the features of the emergence of a new artistic movement Tobaism.
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哈萨克斯坦美术中出现托拜主义艺术运动的先决条件
引言:基于原型方法,本文作者考虑了古代宗教图腾崇拜形式之一出现的先决条件及其在现阶段哈萨克斯坦美术中的托巴主义中的反映。作者表明,图腾主义在历史动态过程中的发展是一个连续的链条:宗教的起源——信仰和仪式的综合体——图腾主义——宗教和社会制度——现代宗教中保存的图腾主义残余——现代艺术中图腾形象的转变。介绍了艺术家Kozhagulov Tokkozhi的图腾动物绘画的艺术意象特征。材料和方法:这种方法论意味着对图腾崇拜的历史有深入的了解,即基于文化和历史经验的有意义的连续性原则来研究其古代起源。结果与讨论我们谈论的是图腾崇拜的再现,这是在现代条件下再现民族文化身份的一种体验。图腾崇拜被分析为现代文化空间中的一种宗教社会制度,并以一种特殊的娱乐方法论引入其中。结论:托巴主义的艺术潮流反映了艺术家精神形成创作方法的核心,在这种方法中,我们远祖的信仰和神话找到了现实,反映了哈萨克民族的精神、美学和艺术价值体系。以佐证托拜主义新艺术运动的出现特征。
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Revista Innovaciencia
Revista Innovaciencia MULTIDISCIPLINARY SCIENCES-
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