THE GEBER OF LAM 3 IN LIGHT OF TWO-TIME PERSPECTIVE AND TWO LITERARY CONVENTIONS

Dariusz Iwański
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Abstract

Abstract Lam 3 has probably received the most attention from scholars studying the Book of Lamentations . One of the most challenging questions concerning this chapter is still the figure of the geber – the main protagonist. There is a cacophony of ideas and interpretations offered in this regard. The current paper is an attempt to simplify the effort of comprehending the figure of the geber offering a new time perspective and reading it through the lenses of two conventions: voice and anonymity. They seem to be sufficient for determining the role of the geber in the poem and possible rhetorical strategy the author employed here. The paper will also give a survey of the most crucial aspects of the scholarly debate relevant for the study. Keywords : Lam 3, the geber , time perspective, literary conventions, voice, anonymity, Everyman. Resumen Lm 3 ha recibido probablemente la mayor atencion de los estudiosos del Libro de las Lamentaciones . Una de las preguntas mas desafiantes de este capitulo sigue siendo la figura del geber , el protagonista principal. Hay una cacofonia de ideas e interpretaciones que se ofrecen al respecto. El presente articulo es un intento de simplificar el esfuerzo de comprender la figura del geber ofreciendo una nueva perspectiva temporal y leyendola a traves de las lentes de dos convenciones: la voz y el anonimato. Parecen ser suficientes para determinar el papel del geber en el poema y la posible estrategia retorica que el autor empleo. El documento tambien dara una vision de los aspectos mas cruciales del debate academico relevante para el estudio. Palabras clave : Lam 3, el geber, perspectiva temporal, convenciones literarias, voz, anonimato, hombre comun. Orcid: https://orcid.org/ 0000-0001-5444-3219 Doi: https://doi.org/10.17398/2340-4256.15.459
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从两种时间视角和两种文学惯例看《蓝3》的歌格
摘要哀歌三篇可能是研究《哀歌》的学者们最关注的。关于这一章最具挑战性的问题之一仍然是革别人的形象-主要的主角。在这方面,人们提出了各种不同的观点和解释。本文试图简化理解歌伯人物的努力,提供了一种新的时间视角,并通过两种惯例的透镜来解读它:声音和匿名。它们似乎足以决定歌伯在诗中的角色以及作者在这里使用的可能的修辞策略。本文还将对与研究相关的学术辩论的最关键方面进行调查。关键词:《哀歌3》,歌伯,时间视角,文学惯例,声音,匿名,普通人。履历表3:履历表3:履历表3:履历表3:履历表3:履历表3:履历表3:履历表3:履历表3:履历表3:履历表3:履历表这是我的第一个梦想,我的第一个梦想,我的第一个梦想,我的第一个梦想。许多不同的观点和解释常常受到人们的尊重。我所提出的文章的目的是简单地描述理解者的形象,描述被理解者的形象,描述被理解者的形象,描述被理解者的形象,描述被理解者的形象,描述被理解者的形象,描述被理解者的形象,描述被理解者的形象。在可能的战略改革中,对汽车员工进行充分的、准确定性的评估。关于文献资料的研究:关于学术辩论的几个关键方面的观点。Palabras clave: Lam 3, el geber,时间透视,方便文学,voz,匿名,共同。Orcid: https://orcid.org/ 0000-0001- 54444-3219 Doi: https://doi.org/10.17398/2340-4256.15.459
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来源期刊
CiteScore
0.50
自引率
33.30%
发文量
2
审稿时长
12 weeks
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DO WE NEED A THEOLOGY OF SCIENCE? / ¿NECESITAMOS UNA TEOLOGÍA DE LA CIENCIA? THE GEBER OF LAM 3 IN LIGHT OF TWO-TIME PERSPECTIVE AND TWO LITERARY CONVENTIONS CORRER PARA SER FELIZ. BUSCANDO EXPERIENCIAS ESPIRITUALES / RUNNING TO BE HAPPY. LOOKING FOR SPIRITUAL EXPERIENCES ARISTÓTELES Y ZUBIRI: VERDAD ANTEPREDICATIVA Y VERDAD REAL FEMININE AND RELIGIOUS LEADERSHIP. A LONG TERM COMPANY MODEL
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