{"title":"Displacement or the Deconstruction of Place in Three Recent Xavier Dolan Films","authors":"Steve Urquhart","doi":"10.3828/QS.2018.9","DOIUrl":null,"url":null,"abstract":"This article examines three films by Quebecois film director Xavier Dolan (Tom at the Farm, Mommy, It’s Only the End of the World) in terms of “displacement,” understood in the sense of movement fr...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/QS.2018.9","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quebec Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/QS.2018.9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
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Abstract
This article examines three films by Quebecois film director Xavier Dolan (Tom at the Farm, Mommy, It’s Only the End of the World) in terms of “displacement,” understood in the sense of movement fr...
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