Słowo i obraz – teksty i związane z nimi motywy ikoniczne na nagrobkach kobiet na cmentarzach żydowskich na historycznych obszarach Rzeczypospolitej

Q4 Arts and Humanities Studia Judaica Pub Date : 2021-01-01 DOI:10.4467/24500100stj.21.003.14605
A. Trzciński
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Abstract

Word and Image: Texts and Related Iconic Motifs on Women’s Gravestones in Jewish Cemeteries in the Historical Areas of The Republic of Poland The research material in the article covers the period from the earliest gravestones from the fourteenth century to contemporary ones of the twenty-first century. Among iconic motifs taken into account are those which are specific for women’s gravestones, and from texts in inscriptions—those corresponding to artistic motifs. The aims of this study are the following: to distinguish thematic groups, determine the range of iconic motifs used and the chronology and frequency of their occurrence, as well as to juxtapose them with normative content from religious writings of Judaism and with rites and customs. The following conclusions emerge from the research: In the early period (until the fourth quarter of the eighteenth century), there was no differentiation on tombstones between separate motifs ascribed to men (except for the Kohanim and Levites) and separate motifs ascribed to women. Among the common motifs, the bird motif dominated on women’s gravestones, while the crown motif acquired its specific character. In the fourth quarter of the eighteenth century, the motif of a candlestick appeared on women’s gravestones; it spread very quickly and became a visual identification feature. In the nineteenth century, with the introduction of vanitas motifs on gravestones, they began to be used on women’s gravestones. The connection of motifs with the names of the deceased is also noticeable (e.g. Feigl–bird, Rachel–fairy, Royza–rose, or scenes related to biblical namesakes). The contents of women’s epitaphs presented as praise or description of virtues largely concern traditional female duties toward the home, husband, and children. Women’s gravestones contain no attributes or references to the study of Torah and scholarship, or else to activities in the public sphere—to professions, both religious and later secular—which obviously results from the position and role of women in the patriarchal community. Such information does not appear until the interwar period on the tombstones of women from families assimilated into the surrounding culture which is also evidenced by non-traditional tombstone forms and inscriptions in non-Jewish languages.
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文字和图像——共和国历史地区犹太人墓地妇女墓碑上的文字和相关标志性图案
文字与图像:波兰共和国历史地区犹太墓地中女性墓碑的文本和相关的标志性主题文章中的研究材料涵盖了从14世纪最早的墓碑到21世纪当代的墓碑。我们所考虑的标志性图案包括那些专门为女性墓碑设计的图案,以及那些与艺术图案相对应的碑文中的图案。本研究的目的如下:区分主题群体,确定所使用的标志性母题的范围及其出现的时间和频率,并将它们与犹太教宗教著作的规范内容以及仪式和习俗并列。从研究中得出以下结论:在早期(直到18世纪的第四个季度),墓碑上没有区分属于男性的单独图案(除了Kohanim和levi)和属于女性的单独图案。在常见的女性墓碑图案中,鸟图案占主导地位,而皇冠图案则有其独特的特点。在十八世纪的第四个季度,烛台的图案出现在妇女的墓碑上;它传播得很快,成为一种视觉识别特征。在19世纪,随着墓碑上出现了虚荣的图案,它们开始被用于女性墓碑上。与死者的名字相关的主题也很明显(例如Feigl-bird, Rachel-fairy, Royza-rose,或与圣经同名的场景)。女性墓志铭的内容主要是赞美或描述美德,主要涉及传统女性对家庭、丈夫和孩子的责任。女性的墓碑上没有任何关于《托拉》和学术的研究,也没有任何关于公共领域的活动——无论是宗教的还是后来的世俗的——这显然是由女性在父权社会中的地位和角色造成的。这些信息直到两次世界大战期间才出现在被周围文化同化的家庭妇女的墓碑上,这也从非传统的墓碑形式和非犹太语言的铭文中得到证明。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studia Judaica
Studia Judaica Arts and Humanities-History
CiteScore
0.10
自引率
0.00%
发文量
7
期刊介绍: Studia Judaica, as an organ of the Polish Association for Jewish Studies, is open to its members and all other scholars interested in a wide area of Jewish studies, such as Jewish history, literature, linguistics, archeology, culture, religion, and more. We aim to publish articles and reviews illustrating current development in a wide area of Jewish studies as conducted by the members of the Association. Our periodical is open also to non-members on assumption the article deals with an aspect of Polish-Jewish studies. By this we hope to create a representative platform of Jewish studies in and on Poland.
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I rozpięła na szpilce jak motyla… Żydówki-rewolucjonistki w polskiej prozie antysemickiej w pierwszej połowie XX wieku Anna Bikont, Cena. W poszukiwaniu żydowskich dzieci po wojnie, Wydawnictwo Czarne, Wołowiec 2022, ss. 464. Cromwell in the Shtetl: Translations of Non-Jewish Literature in Early Hebrew Periodicals for Children Teatr Kamińskiego w Warszawie – panorama pierwszych lat (1911–1914) Spisy książek z akt notarialnych jako źródło do badań życia religijnego Żydów chełmskich pierwszej ćwierci XIX wieku (edycja dwóch przykładów)
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